LIBRARY 


M. KNOEDLER & CO. 


556-8 FIFTH AVE. 
NEW YORK 


CATALOGUE 


OF THE 
INTERESTING AND VALUABLE COLLECTION 


OIL PAINTINGS, WATER-COLORS AND ENGRAVINGS 


FORMED BY THE LATE 


Hohn M1. Falconer 


(BROOKLYN, N. Y.) 
CONSISTING OF 
Oil Paintings by Harpignies, Thomas Cole, J. F. Kensett, J. F. Cropsey, 


G. H. Boughton, S. J. Guy, J. T. Peele, and other noted 
Artists; Fine Engravings in Mezzotint, Line, etc. 


Water-Colors by Vibert, Samuel Prout, etc., and including the 
Falconer Paintings of Historic Sites in New York, 
Philadelphia and Boston 


Te 


FOR SALE AT AUCTION 


THURSDAY AND FRIDAY, APRIL 28 AND 29 
1904 eit 


BY 


Che Anderson Auction Company 


5 West 20TH STREET, NEW YORK 


SALES BEGIN EACH VG es Aerie hs O'CLOCK 


N. B.—BIDS ARE UNDERSTOOD TO BE AT SO MUCH PER PIECE 


Douglas Taylor & Co. 
~ . Hew Work 


Conditions of Sale. 


1—The highest bidder to be the Buyer; in all cases of disputed bids, the 


lot shall be immediately re-sold. 


2—Books are sold per volume, other articles per piece, unless otherwise 


stated in Catalogue, and bids must be made accordingly. 


3—Books are presumed to be perfect, unless otherwise stated. To pur- 
chasers who have had opportunity for examination, they are sold as 
they are. On mail orders, an intelligent discretion will be used as to 
purchase. Imperfect books (not so described) may be returned 


within three days. 


4—To prevent confusion and inaccuracy, goods will not be delivered dur- 


ing the sale. 
5—Terms Cash. Bills to be paid before delivery of goods. 


om 


Bids will be faithfully executed by the Anderson Auction Co., without charge. 
5d 


Order of Sale. 


Thursday Evening, April 28th, beginning at 7.30 o'clock, 
(Lots 1 to 376 inclusive, Engravings, etc.) 


Friday Evening, April 29th, beginning at 7.30 o’clock, 
(Lots 377 to 669 inclusive, Oil Paintings and Water-Colors. ) 


This Sale 
will be conducted by 
Mr. George D. Morse 


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LEngravings, Etchings, Etc. 


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DAM (VICTOR), Cuartet, Erc. Motifs Algeriéns; Les Ex- 
trémes se touchent; Military subjects, and others. Lithographs. 
Folio. (17 pieces, some in poor condition, as a lot.) 


ADAMS (JOHN). Bust. Engraved by B. Tanner. gto. Scarce 
Original impression. 


3 ALLEN (D.) Tike Scottish Hogarth. A Scottish Highland Marriage. 
Stipple engraving by R. Scott, after Allen. Partly colored. Edin- 
burgh, 1815. Framed and glazed. 23% in. x 20% in. 


4 AMERICAN ANNUALS. Etchings, mezzotints, line engravings, 
etc., from various Annuals, mostly American. (About 100 pieces, 
as a lot.) 


5 AMERICAN ETCHERS. Proof etchings by F. S. Church, Wm. 
Hart, J. C. Nicoll, R. Swain Gifford, and others. Mostly views. 
4to. (16 pieces.) 

6 AMERICAN PAINTERS. Original photographs of G. H. Bough- 
ton, T. and E. Moran, Paul Weber, and others, some with auto- 


graphs. 4to. Mostly mounted in mats. (9 pieces.) 
* This and the following lots of photographs of American Painters form a valuable 


NO 


and scarce collection. 


7 Another similar lot, including Thomas Sully, T. Buchanan Read, 
P. F. Rothermel, and others. (9 pieces.) 

8 Another similar lot, including Rembrandt Peale, Henry L. 
Stephens, J. B. Ord, and others. (13 pieces.) 

9 Original carte-de-visite photographs of James Hart, Thomas 
Moran, C. P. Cranch, Launt Thompson, and others. (20 pieces.) 

IO Another lot, including J. D. Smillie, W. H. Beard, F. O. C. 
Darley, S. R. Gifford, J. F. Cropsey, and others. (20 pieces.) 

II mMuotherlot, including, Fy By Carpenter, |. (McEnteey laa 


Kensett, P. P. Duggan, G. H. Boughton and Mrs. Boughton, and 


others. (20 pieces.) 
* Several with autographs. 


The Anderson Auction Co. 


12 AMERICAN PAINTERS. Another lot, including W. S. Mount, 
D. Huntington, Eastman Johnson, S. V. Hunt, Thomas Nash, J. T. 
Peele, and others. (25 pieces.) 


An Album containing 30 carte-de-visite photographs, mostly 
with the autographs, also of famous American Painters. The col- 
lection includes S. Cheney, D. Huntington, S. J. Guy, G. A. Baker, 
W. Hart, A. B. Durand, J. G. Brown, S. F. B. Morse, R. W. Weir, 
J. F. Cropsey, W. H. Beard, F. O. C. Darley, S. R. Gifford, ete. 
Square 12mo, embossed leather. 


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An Album of carefully selected drawings in water-colors, pen- 
and-ink and pencil by noted American Painters and forming an in- 
teresting volume representative of American Art. Theartists include 
Thomas Moran, Wm. Hart, J. H. Hill, J. F. Cropsey, Christopher 
Pearce Cranch, Alfred Jones, S. R. Gifford, Edwin White, T. H. 
Matteson, J. T. Peele, Charles Lanman, and others. The drawings 
are mostly small, but are excellently executed, and number 61, in- 
cluding a few that are not by American artists. In a small 4to 
volume, bound in full morocco, with watered-silk end papers. 


15 AMERICAN PORTRAITS. Col. Richard M. Johnston, of Ken- 
tucky. (Killed Tecumseh.) Engraved by C. Harrison. 8vo. Proof. 


John Howard Payne, by G. R. Hall, india proof; J. F. Kensett, 
by F. Halpin, proof before all letters, signed; A. B. Durand, proof 
before all letters. Folio. (3 pieces.) - 


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ay Michael Paff, the Earliest Picture Dealer in New York City, 
etching by J. M. Falconer; Rufus W. Griswold, by C. Burt, india 
proof, signed; C. W. Frederickson, by the same, private plate, 


india proof; C. S. Bradley. Large 4to. (4 pieces.) 


18 Henry Rutgers, by Samuel Maverick; Commodore Perry, by 
Pekenino; Commodore David Porter, by Edwin; Daniel D. Tomp- 
kins, by W. R. Jones; Rev. Samuel Seabury, by Gimbrede; and 


others. Early and original impressions. 8vo. (9 pieces.) : 


Washington, by Lewis Delnoce, india proof before all letters, 
signed, 16mo; Washington, after Peale, proof before all letters, 


1z2mo; C. Brockden Brown, by Forrest; Philip Schuyler, by Kelly; ~ 


and others. (14 pieces.) 


20 


Rev. Francis Asbury, by B. Tanner (late impression); Elias 
Boudinot, by Paradise, on india paper; L. Gaylord Clark, by 
Cheney; and others. Varioussizes. (34 pieces, as a lot.) 

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2t AMERICAN SCENERY. Niagara Falls, by S. V. Hunt; Sioux 
Village, after A. Bierstadt; Sugar Bush, Ottawa; and others. 4to. 
Proofs on india paper. (6 pieces.) 


22. The Ruins at Fort Hale; Early Morning, Mt. Desert; and others. 


Line engravings by W. Wellstood. 4to. India proofs. (5 pieces.) 


Adirondack Mountains, by A. B, Durand; Hoosatonic Valley, 
after J. Halpin; Schroon Lake, after Thos. Cole; and others. 4to. 
Fine impressions. (12 pieces.) 


Near Berthier, on the St. Lawrence, by Peter Maverick; Early 
View of Quebec, stipple, printed in brown; 10 views of the neigh- 
borhood of Bridgehampton and Sag Harbor, L. I., by W. H. 
Roberts; Mt. Vernon, lithograph, by P. Haas; Niagara Falls, 1831; 
and other American Views. Various sizes. (50 pieces, as a lot.) 


25 Etchings by J. M. Falconer. Various statesof the plates, dupli- 


cates, etc. (About 100 pieces, as a lot.) 


26 ARTISTS. Original etched portrait by Hubert Herkomer (ticket of 
invitation to G. H. Boughton); Portraits of Jacques Callot, by 
Ferdinand, beautiful impression; Murillo, by Scriven; Benjamin 
West, by Edwin; Nollekens, by Holl; and others. Various sizes. 
(20 pieces.) 


27 AUTOGRAPHS. A. L’s. S., by Daniel Huntington, Seymour J. 
Soeiai), J. alden Weir, J. F. Cropsey, Alex. Vattemare: (signa- 
ture), Jared Sparks, Sam. F. B. Morse, J. G. Chapman (signature), 
and P. T. Barnum, also certificate of the N. A. of Design, signed 
by D. Huntington. (20 pieces.) 


28 ARRY (JAMES, R.A.)? Fine unfinished proof of a portion of 
his great painting of Elysium, introducing portraits of Sir Joshua 
Reynolds, Francis I., Charles I., and other noted personages, Luci- 

fer and another angel in the foreground. Large folio. 


faerie OLOZZI! (F;) “A St. Giles Beauty,” engraved after J. H. 
Benwell. 4to. Fine original proof before inscription, with full 
margin. Lond. 1783. 


30 — Cherubins, after M. Bovi, printed in brown; Autumn, and 
Rinaldo, after Cipriani; Il Mercurio Italico. 4toand 8vo. (4 pieces.) 


Three engravings after Guercino, printed in brown; Atalanta 
and Hippomanes, after Luti; Wilkes’ Ball Ticket (poor condition). 


(5 pieces. ) 


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The Anderson Auction Co. 


32 BENTLEY (J. T.) Painter. A French Cathedral, exterior view. 
Etched by T. C. Dibdin, 1883. Folio. Unfinished proof, signed 
by Jil Bentley. 

View of another French Cathedral (Bourges?). Etched by T. C. 

Dibdin, 1883. Large folio. Proof before all letters, signed by 

J. T. Bentley, with wide margin. A finely etched study. 


34 BIERSTADT (ALBERT). Mountain Scenery. Fine reproductive 


engraving by S. V. Hunt of an American scene, a lake in the fore- 


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ground, and snow-topped mountain in the background. Large 


folio, wide margin. Brilliant india proof before all letters, signed 
by the engraver. | 

35 BOTH (JAN). Five original etchings—landscapes—by this famous 
Flemish artist. 4to. (5 pieces.) 

36 BOUGHTON (GEORGE H.) ‘‘ The Waning of the Honeymoon.” 
Etched by V. L’huillier. Brilliant original india proof before all 
letters, with presentation inscription (signed) by G. H. Boughton. 
Folio, 

37 BRANDARD (ROBERT). Scraps of nature. Etchings. (Off 
Dover, Near Hastings, Herne Bay, Gipsy’s Tent, etc.) India proofs 
on Large Paper. 17 etchings in awrapper. 4to. (Asa lot.) 


38 BRUNET-DEBAINES. Woted French Etcher. Fountain Abbey, 
Yorkshire. Two different etchings. .4to. Proofs. 


39 BURNET (JOHN). Woted English Painter and Engraver, author of 
books on painting. ‘*The Young Bird.” Painted and engraved by 
John Burnet. Folio. Fine impression, full margin. London, 1812. 


40 ‘* The Escape of the Mouse.” Painted and engraved by John 
Burnet. Folio. Fine original impression. London, 1822. 
AI Scene from the Vicar of Wakefield, after G. S. Newton. Folio. 


Original open letter proof, with wide margin. London, 1830. 


42 BURNS (ROBERT). Portrait at the age of 27. Half length, seated, 
facing front. Engraved by J. Horsburgh, 1830, after Peter Taylor, 


1786. Folio. ae original impression, with large untrimmed 


margin. 
* Scarce portrait of Burns. 


Full length, seated at a table, writing. Line engraving by 
J. Burnet, 1838, on india paper (slightly foxed). Framed and 
glazed, 32 in. x 24% in. 

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BURT (CHARLES). WNoted American Engraver. ‘‘Sir Walter 
Raleigh parting with his Wife,” after E. Leutze. Folio, wide mar- 
gin. Open letter proof. New York, 1347. 


Seis (J. Gi Famous Italian Etcher and Painter. The 


Entry into Noah’s Ark; Landscape, with cattle; and two 
heads. (4 pieces.) 


CHARLES EDWARD (PRINCE). ‘‘ Bonnie Prince Charley.” 
Half length in armor. Mezzotint by T. Hodgetts and Son. 4to, 
wide margin. Brilliant impression. Edinburgh, 1828. 


CINCINNATI. Bird’s-eye view from Newport, Ky. Clever sepia 
drawing by D. C. Hitchcock, circa 1840-50. Oval, 834 in. x 7 in. 
CLAUDE LORRAINE. ‘“ Zhe Dancing Shepherds,” engraved by 
W. Lowry. Fine landscape, with figures. Folio. London, 1784. 


COLE (THOMAS). Two Landscapes, after Cole, etched by J. M. 
Falconer. Proof before all Letters. Framed and glazed, 24 in. x 
Brain: (2 pieces. ) 


In the Catskills, and Moonlight. Both etched by J. M. Fal- 
Coner, Proofs. Framed and glazed, 18 in. x 15% and 16 in. x 
Taay (2) DIECeS. ) 

COUSINS (SAMUEL). ‘ Pops Pius VII.” FuLt Lenctu, sEATED, 
FACING FRONT, MEZZOTINT, AFTER SIR THOMAS LAWRENCE, LARGE 
FOLIO, WITH WIDE UNTRIMMED MARGIN. London, 1829. 

* A splendid original proof before inscription, in perfect condition of this fine mez- 


zotint, the largest and one of the best works of the noted engraver. Shortly after 
the plate was re-engraved and reduced in size, the state in which it is usually met with. 


‘©The Sunshine of Love,” after J. Raoux. Folio. Brilliant 
. impression, wide margin. London, 1837. 


CRAIG (WILLIAM MARSHALL). WNoted English Miniature 
Painter, and famous book-illustrator. Original water-color painting, 
four figures. Allegorical subject. Painted on card, 8% in. x 5% in. 


1° BOISSIEU (J. J.) Portrait of an old man with hands 


crossed, after Teniers; The Almsgiver; Studies, etc. (9 pieces.) 


DEBUCOURT (P. L.) Famous French Engraver. ‘‘ Souvenirs de 
Jeunesse,’ after John Burnet. Mezzotint. 4to. 
* This engraver’s works is now much sought for in France, and fine examples com- 
mand a very high price. 


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DELAROCHE (PAUL). ‘The Earl of Strafford going to Execu- 
tion,” engraved in mezzotint by G. Sanders. Folio, with wide mar- 
gin. Brilliant open letter proof of this famous painting. London, 
1840. 

Napoléon. Half length, standing in uniform, Fine line en- 

graving by Aristide Louis of this famous portrait. Folio, wide 

margin. Open letter proof. Paris, 1841, 


‘“ St. Vincent de Paule, préchant devant la Cour de Louis XIII,” 
engraved by Z. Prévost. Folio, with widemargin, Brilliant open 
letter proof. 


‘‘ Charles I. a prisoner ‘derided by his captors,” engraved by 
Achille Martinet. Folio. Fine open letter proof, with wide margin. 


DE LAUNAY (N). WMoted 18th Century French Engraver. ‘‘Qu’en 
dit Abbé?” Engraved after Lavereince. Folio. 


‘* Le Billet Doux,”’ after Lavereince. Folio. 


DOGS. ‘‘Pincher.” Fine engraving of the head of a dog. Painted 
by A. Cooper, engraved by J. Scott. Folio. Brilliant impression. 
London, 1830. 


Thoroughbreds Running for the Derby, aquatint printed in 
colors; Deer Stalkers, after Landseer; Rat Hunters, after Wilkie; 
and others. Folio. (6 pieces.) 


The Shooting Pony and Dogs, after A, Cooper, brilliant im- 
pression, 1827; Rover, after J. Ward; The Lame Leading the Blind 
(dogs); and others. Folio. (6 pieces.) 


DOW (GERARD). ‘‘ The Travelling Physician.” Line engraving, 
after Gerard Dow. Folio. Brilliant original impression, cut close. 


DRAMATIC PHOTOGRAPHS. Carte-de-Visites of Edwin Booth, 
Fanny Davenport, Pauline Markham, Isabella Allen, Mrs. D. P. 
Bowers, and others. (50 pieces.) 


DRAMATIC PORTAITS. ‘Mrs Wignell,” the early New York 
Actress. Engraved by D. Edwin, after W. Dunlap. rzmo. SCARCE. 


Fanny Kemble, after Lawrence, india proof before all letters; 
G. F. Cooke, by Leney; Mrs. Twistleton by W. Hinton; Master 
Burke; G. F. Cooke as Richard III.; the Siddons Family, five 
portraits on a sheet, after Lawrence; Talma. Various sizes. 


(7 pieces. ) 
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The Anderson Auction Co. 


69 DURAND (A. B.) ‘‘American Eclipse” (the famous race horse). 


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Engraved after A, Fisher. 4to. Original impression, with full 
margin. 1824, 
* Rare. 


, 


‘fARIADNE,” AFTER J. VANDERLYN. LARGE FOLIO. PROOF ON 
INDIA PAPER BEFORE INSCRIPTION, WITH WIDE MARGIN. 


* One of the masterpieces of Durand and of American engraving. Brilliant 
impression of the original plate as printed by A. King, the first printer of it. 


‘*Musipora.” DESIGNED AND ENGRAVED BY HIMSELF. 4TO. 
New York, 1825. 

* BRILLIANT ORIGINAL OPEN LETTER PROOF, This beautiful engraving—a com- 
panion to the Ariadne—has been, by some authorities, considered as probably the 
finest refined study of the nude, either painted or engraved, in America. It is 
remarkable as well as not being copied from a painting, but being designed entirely 
by the engraver. 


—_ ‘“‘John M. Mason, D.D.” Full bust. Engraved after J. W. 


Jarvis. 4to (top margin slightly damaged). 1822. 


— ‘‘Rev. John Summerfield.”” Full bust. Engraved after Waldo 


and Jewett. 4to, full margin. 1822. 


‘*Elias Boudinot.” Half length. Engraved after Waldo and 
Jewett. 4to, full margin. MHartford, 1825. 


— ‘‘Gardiner Spring, D.D.” Full bust. Engraved after H. 


Inman. 4to. Fine impression. 1825. 


‘General Andrew Jackson,” full length, with battle scene in 
background, Engraved by Durand, after John Vanderlyn. Large 
4to. Fine original impression, but slightly stained. New York, 
1828, 


avid Crockett.’ Bust, Engraved after Av L.. de-Rose 
With facsimile signature. 4to. 
* Presentation copy, signed by Durand with his autograph, and date ‘‘ South 


Orange, N. J. June 8th, 1872.” 
Portrait of Anna Brathwaite. Early American Authoress. En- 
graved after Dunlap. 4to. Fine impression. 


‘William Fuller.” Full length, in pugilistic attitude in the 
prize ring. Engraved by Durand, after C. Ingham. Folio. Fine 
original impression: (Neatly repaired.) 


—— ‘‘W. H. Crawford.” Bust. Engraved after J. W. Jarvis. 


4to.. Original impression (small repair), full margin, 
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The Anderson Auction Co. 


DURAND (A. 8B.) ‘Cadwallader D. Colden.” Bust. Engraved 
after Waldo and Jewett. 4to, Fine impression of the second state 
of the plate; full margin. 


Another copy of the same, full margin. 


‘*The Honorable Philip Hone.” Bust. Engraved after Peale. 
4to. Fine impression, full margin. 


‘‘Judge Platt.” Nearly half length. Engraved after John 
Trumbull. 4to. Open letter proof on india paper. 
* A presentation proof from John Trumbull, with his autograph, 


‘‘Joseph Octave Plessis, Catholic Bishop of Quebec.” Full 
length, in canonical robes. Engraved after James. Folio. Fine 
impression, full margin. 


‘* Rev. Sylvester Larned.” Nearly half length. Engraved after 
E. Metcalf. Folio, Fine impression, wide margin. 


‘General Lafayette.” Fulllength. Miniature engraving, after 
Ary Scheffer. India proof before all letters. 


Portraits of Iturbide; Thos. Cooper, Garret Furman, and De 
Witt Clinton, india proofs; and others. Various sizes. (6 pieces.) 


Portraits of Macready as Macbeth; Mrs. Barnes as Isabella; 
- Mr. Hilson as Tyke; George Jones; and other dramatic portraits. 
Various sizes. (7 pieces.) | | 


Portraits of Morgan Lewis (india paper); Jacob Brown; Isaac 
Shelby; James Monroe; and others. 8vo. Fine impressions. 
(10 pieces. ) 


Annual Caledonian Ball Tickets, two different (these were 
designed by John Allan, the well-known N. Y. bibliophile); National 
Academy of Arts Certificate (signed by Sam. F. B. Morse and J. L. 
Morton); Bible Society Certificate; Apollo (four copies); and three 
others. (11 pieces.) 


Portraits of, The Independent Beggar (proof on glazed paper) ; 
Rev. J. M. Matthews; Wm. Swaim; Rev. Nathan Bangs (india 
proof); and others. Various sizes. (12 pieces.) 


Portraits of Joseph Mountjoy Mannérs (the basest of men); 
George Jones (with F. S. Agate’s autograph); and others. Various 
Sizes. (18 pieces.) ; 


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94 DURAND (A. B.) ‘ William Cullen Bryant.” 4to, on folio paper. 
India proof of the second state of the plate, with the Century Co.’s 
stamp. Brilliant impression. 

* The last plate engraved by Durand. He painted the portrait, Charles Burt, Alfred 


Jones, and Stephen A. Schoff, etched the plate and Durand gave the finishing touches. 
With pencil autograph of Durand. 


95 The Engraved Business Card of Durand & Co., 26 Wall St., 
Pepe tinted on glazed card. 694 in. x 8 in. 

96 Portrait of A. B. Durand in Early Life, engraved by M. Pekin- 
ino, after Waldo and Jewett. 4to. Brilliant open letter proof. 1820. 

97 fee Gaptire of Major André.” Painted’ by Durand, 
engraved by Jones, Smillie, and Hinshelwood. Large folio. Fine 
impression, with wide margin. New York, 1846. 

98 Two Soldiers, after Salvator Rosa. Engraved by John Durand 
(brother to A. B. Durand), at the age of 22, his first attempt. Let- 
tering by S. P. Avery. 4to. New York, 1841. 

99 A small 16mo Scrap Book, containing over seventy vignette 


Engravings, mostly by A. B. Durand, and forming an exceptional 
Collection of Specimens of his small and delicate work in Bank 
Note Engraving, Miniature Portraits, Decorative Designs, etc. 
Among the Portraits are three Washingtons, a Franklin and a Put- 
nam. The other subjects include Allegorical Figures, the Arts, the 
Laocoon, Hercules and the Hydra, etc., etc. Nearly all proofs. 


100 DUSART (CORNELIUS). Dutch Painter and Engraver, pupil of 
Ostade. ‘‘De Vermaarde Schoenmaaker.” Rare original impres- 
sion. Small gto. 


tor DUTCH SCHOOL. Canal of Dort, and Fishing under the Ice 
(india proof), after Cuyp, by Fittler; and 2 others. 4to and folio. 


(4 pieces. ) 


Forge,” after Joseph Wright. Folio. Fine impression. (One 
corner creased. ) 


to3,ENGLISH 18TH CENTURY STIPPLE ENGRAVERS. 
A charming picture of a girl standing on the seashore waving a 
handkerchief to some departing ships. Engraved by R. S. Mar- 
cuard, pupilof Bartolozzi. Large 8vo, printed in carmine. 
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102 ee (R.) Famous English Mezzotint Engraver. ‘* An Iron 


The Anderson Auction Co. 


104 ENGLISH 18TH CENTURY STIPPLE ENGRAVERS. 
‘‘La Belle Francaise returning from Shooting,” after Wheatley, 
1789; ‘‘ Faith,” by W. W. Ryland, after Angelica Kauffmann, 1776; 
‘‘The Waggon,” by James Fittler (etching). Pretty scenes. 4to. 
(3 pieces.) 

Set of four stipple engravings, by C. G. Playter, after S. 

Shelley, illustrating Allan Ramsay’s Gentle Shepherd. Pretty 

rural scenes, two printed in brown tint. 4to. 1786. (4 pieces.) 


106 ENGLISH PAINTERS. Original carte-de-visite photographs of 
E. M. Ward, Cruikshank, Mulready, T. C. Hook, Stanfield, Birket 
Foster, John Leech, Holman Hunt, and others. Scarce lot. (20 pieces.) 


105 


Another lot, including David Cox, E. W. Cooke, Maclise, 
Millais, Webster, David Roberts, and others. Scarce lot. (20 pieces.) 


108 ENGLISH SCHOOL. A Scrap-Book containing a number of 
vignette engravings—mostly from keepsakes or annuals—of paint- 
ings by Lawrence, Landseer, Bonnington, Smirke, Westall, and 
others. The scrap-book formed of various colored leaves, many 
having a pretty decorative pattern embossed on them. 4to, half 
roan. 


107 


Spanish Peasant Girl, lithograph by J. F. Lewis, 1836; The 
Errand Boy, by Raimbach, after Wilkie. Line. Folio. Brilliant 
impressions. (2 pieces.) 

The Attack and The Defeat, by Fox and Finden, after W. 
Hunt; The Widow, by Bell, after Allan. Open letter proof. Line 
engravings. Folio. Fine impressions, with full margins. (3 pieces.) 


109 


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Fishing Boats off Calais, by Davidson, after Turner, mezzo- 
tint (cut close); Sunset at Sea after a Storm, by Miller, after Danby, 
line engraving, Lond. 1849; The Fall of Napoleon, by Zobel, after 
Wallis, mezzotint, Lond. 1837. Folio. Fine impressions. (3 pieces.) 


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Baalbec, by J. Pye, after Roberts, 1849; The Ruins of Carthage, 
by Willmore, after Linton, Lond. 1838; The Battle of Trafalgar, by 
Miller, after Stanfield, 1845. Line engravings. Folio. Fine impres- 
sions, with full margins. (3 pieces.) 


113 Escape of Carrara, by Bacon, after Eastlake, 1845; Returning 
from Market, by Finden, after Callcott, 1845; The Morning after 
the Wreck, by Cousen, after Stanfield, 1847. Line engravings. 
Folio, Fine impressions, with full margins. (3 pieces.) 


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114 ENGLISH SCHOOL. The Harvest Waggon, by Finden, after 
Gainsborough, 1843; Sickness and Health, by Finden, after Webster; 
Carthage, by Appleton, after Linton. India proof. Line engravings. 
Folio. Fine impressions, with full margins. (3 pieces.) 


Rustic Hospitality, by Outrim, after Collins, 1842; Anne Page 
and Slender (Merry Wives of Windsor), by Bacon, after Callcott, 
1840; The Reduced Gentleman’s Daughter, by Hatfield, after Red- 
grave, Lond. 1842. Line engravings. Folio. Fine impressions, 
with full margins. (3 pieces.) 

Trent in the Tyrol, by Ailen, after Callcott, 1840; The Death 
of the Red Deer, by Lightfoot, after Wilkie, 1843; Preparing Moses 
for the Fair, by Stocks, after Maclise, 1845. Line engravings. Folio. 
Fine impressions, with full margins. (3 pieces.) 


115 


116 


Returning from Market, by Finden, after Callcott, 1840; The 
Procession to the Christening, by Stocks, after Williams, india proof; 
Scene from The Beggar’s Opera, by Finden, after Newton, 1838. 
Line engravings. Folio. Fine impressions, full margins. (3 pieces.) 


117 


118 Going to the Graving Dock, by Papprill, after Walters, stipple, 
Lond.; Minna Troil, by Doo, after Drummond, line, 1840; The First 
Ear-Ring, by Chevalier, after Wilkie, line, Lond. 1838. Folio. Fine 


impressions, with full margins. (3 pieces.) 


A Day’s Sport in the Highlands, by Shenton, after Cooper, 
1840; The Procession to the Christening, by Stocks, after Williams, 
1839; Rustic Hospitality, by Outrim, after Collins, 1842. Line en- 
gravings. Folio. Fine impressions, full margins. (3 pieces.) 


119 


I20 


Happy as a King, by Finden, after Collins, 1839; A Contadina 
Family—Prisoners with Banditti, by Smith, after Eastlake, 1840; 
View on the River Stour, near Dedham, by Smith, after Constable, 
1840. Line engravings. Folio. All open letter proofs on india 
paper. Full margins. (3 pieces.) 


Interior of a Highlander’s Cottage, by Finden, after Landseer, 
india proof, 1839; John Proclaiming the Messiah, by Outrim, after 
Uwins, 1847; The Ferry, by Goodall, after Lee, 1847. Line engrav- 
ings. Folio, Fine impressions, with full margins. (3 pieces.) 


Le? Fh ie 


Neapolitan Peasants, by Sangster, after Uwins, india proof; 
Scene from the Taming of the Shrew, by Rolls, after Leslie, 1838 
(slightly soiled); The Lovers’ Quarrel, by Heath, after Newton, 
open letter proof, 1831. Line engravings. Folio. Fine impres- 
sions, full margins. (3 pieces.) 
16 


122 


The Anderson Auction Co. 


123 ENGLISH SCHOOL. The Praver of Innocence, by Sangster, after 
Uwins, Lond. 1838; The Saints’ Day, by Chevalier, after Knight; 
The Blind Fiddler, after Wilkie (torn). Large folio. All line engrav- 
ings. (3 pieces.) 


Scene from the Taming of the Shrew, by Rolls, after Leslie, 
1838; Scene from the Beggar’s Opera, by Finden, after Newton, 
1838; Greek Fugitives, by Goodyear, after Eastlake, 1838. Folio. 
Fine impressions, full margins. (3 pieces.) 


124 


A Gipsey Party, by Scott, after Jones, mezzotint, Lond.; The 
Consequence of Driving Things Off, by Rolls, after Chalon, line, 
1835; The Wooden Walls of Old England, by Rolls, after Buss, line, 
1836. Folio. Fine impressions. (3 pieces.) 


[25 


126 |The Dutch Girl, by Doo, after Newton, 1831; The Deserted, 
by Sangster, after Newton, 1836; Landscape, by J. Roberts, after 
Wilson. Line engravings. Folio. Fine impressions, with full 


Margins. (3 pieces.) 


127 Landscape, after Richard Wilson; Cattle, after Sidney Cooper; 


and two others. Folio. (4 pieces.) 


128 


-- The Blue Stocking, by Rolls, after Buss, open letter proof, 
1840; Scene from The Merchant of Venice, by Doo, after Newton, 
1833 (bottom margin stained); The Peep o’ Day Boy’s Cabin, by 
Sharpe, after Wilkie, india paper; Reading the News, by Taylor, 
after Wlikie, india paper. Line engravings. Folio. Fine impres- 
sions. (4.pieces.) 


129 The Gentle Shepherd, by Stewart, after Wilkie, open letter 
proof, 1828; The Blunt Razor, by Meyer, after Bristol, open letter 
proof, 1829; Tartar Banditti Dividing Spoil, by Stewart, after 
Allan, open letter proof, 1810; Indulging, by Watt, after Kidd, 
1837. Line engravings. Folio, Fine impressions, with full margins. 


(4 pieces. ) 


130 Greek Fugitives, by Goodyear, after Eastlake, 1838 (slightly 
soiled); Lear and Cordelia, by Hatfield, after Newton, 1840; The 
Clubbist, by Raddon, after Wilkie, 1832; The Smuggler’s Intrusion, 
by Bacon, after Wilkie, india proof; Sheep Washing, by Finden, 
after Wilkie, india proof. Line engravings. Folio. Fine impres- 
sions, full margins. (5 pieces.) 


16 


The Anderson Auction Co. 


131 ENGLISH SCHOOL. The Timely Rescue, by Scott, after Stoth- 


132 


133 


135 


1 36 


137 


138 


139 


140 


141 


ard, mezzotint, 1832; The Empty Wallet, by Giller, after Inskipp, 
mezzotint, 1831; The Spanish Mother, by Raimbach, after Wilkie, 
line, 1836; The Parish Beadle, by Raimbach, after Wilkie, line, 
Lond. 1834; The Blind Fiddler, by Vizetelly, after Wilkie, wood 
engraving, Lond. 1844. Folio. (5 pieces.) 


Scene from the ‘‘ Twelfth Night,” by Fittler, after Hamilton; 
Scene from ‘‘ Measure for Measure,’’ by Wilson, after Smirke; The 
Young. Recruit, by Duncan, after Thom, open letter proof, 1825; 
The Dancing Dolls, by Burnet, 1822; Gulliver in Brobdignag, by 
Mollison, after Redgrave, open letter proof, Lond. Line engrav- 
ings. Fine impressions, with full margins. (5 pieces.) 


Studies—Gipsies, Fishermen, Hastings, a Highland Reel, 
Welsh Peasants, Welsh Harper, etc. Fine studies from life, litho- 
graphed by G. B. Campion. Folio. (Foxed.) (12 pieces, as a lot.) 


Various line engravings, after Landseer, Frith, Wilkie, Law- 
rence, and others. 4to and smaller. (14 pieces, as a lot.) 


Sixteen line engravings of landscapes, etc. Mostly 12mo, 
mounted on folio sheets. (As a lot.) 


Robinetta, after Reynolds, by Stocks; Two scenes from the 
‘¢Midsummer Night’s Dream,” after Fuseli; Three pretty stipple 
engravings of Cupids, by W. M. Craig; and others, miscellaneous. 
Various sizes. (25 pieces, as a lot.) 


ENGLISH VIEWS. Miscellaneous Engraved Views. Various 


sizes. (25 pieces, as a lot.) 


ETCHINGS. The Cut Finger, painter etching by S. J. Guy, signed 


proof; Edinburgh Scene, after P. P. Ryder, by J. M. Falconer. 
Folios, in frames. (2 pieces.) 


‘“On the English Coast,” proof; Ricketty Bridge, Catskill 
Creek, proof; and two other etchings by J. M. Falconer. Folio and 
smaller. Framed. (4 pieces.) 


Scheveningen, Holland, after G. H. Boughton; Various views 
by Appian, Litoux, and others. Folio. (10 pieces.) 


Romeo et Juliette, par Lefort; Les Délaissées, par Geoffroy ; 
Entré 4 Breslau, par Duvivier; and others. 8vo. (17 pieces.) 
17 


142 


143 


144 


145 


146 


147 


148 


149 


I50 


Ist 


152 


153 


The Anderson Auction Co. 


ETCHINGS. Girl with a Muff, after Reynolds, by La Guillermie; 
The Wayfarer, by Legros; An Episcopal Visit, by L’Hermitte; 
Return of the Flock, by Amand Durand; and others. 4to. (17 


pieces. ) 


Three Landscapes, by Weirotter, fine original impressions; 


Study of a Horse, etched by Paul De Laer; and others. Various 


sizes. (19 pieces.) 


Etchings by J. M. Falconer. 


Views, American and English, 
Various states, and 


Studies, etchings after paintings, etc., etc. 
duplicates. (About 120 pieces, as a lot.) 


ALCONER (J. M.) ‘At Ringwood, N. J.,” clever etching. 
Signed proof, In neat frame, 1734 in. x 1334 in. 


Kitchen, Fort Hamilton; Kitchen, Gravesend. 
In neat oblong frame, 29% in. x 13% in. 


In the Birthplace of the Author of ‘‘Home, Sweet Home”; 


Three etchings. 


The Original Copper Plates of J. M. Falconer’s etchings— 


over roo in number—and including the plates for his views of old 
buildings in New York, Boston, and Philadelphia, after paintings, 
(As a lot.) 


and for original designs of his own. 


FLAMENG (LEOPOLD). 


Celebrated French Etcher. La Salpé- 


triére (Cour des agitées); La Morgue. ato. 


Scarce. (2 pieces.) 


Original impressions. 


La Californie [Barriére Montparnasse] 1859; Les Medaillés 


de Ste. Hélene, 1859. 4to. Original impressions. Scarce. (2 pieces.) 


4to. (2 pieces.) 


Le Cabaret de la Mére Marie, original impression, 1859, rare; 


La fin de la journée, after Jules Breton. 4to. (2 pieces.) 


La Halte, after Meissonier; The Blue Boy, after Gainsborough. 


FLEMISH SCHOOL. Le Retour Imprévu by Lucas, and l’Apreés- 
Dinée Flamande by Gaucher, both after Egidius van Tilborch; les 
Vrais Flamands, by Basan, after Brouwer. 


Folio. 


(3 pieces?) 


FOREIGN PAINTERS. Original carte-de-visite photographs of 
Vibert, Knauss, Bouguereau, Delacroix, Rosa Bonheur, Gérome, 
Daubigny, Kaulbach, Theodore Rousseau, and others. Scarce lot. 


(30 pieces. ) 


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154 


155: 


156 


7 


158 


159 


160 
161 


162 


163 


164 


The Anderson Auction Co. 


FOREIGN PAINTERS. Another lot, including Diaz, Jules Breton, 
Bonnat, Fortuné, Chaplin, Cabanel, Corot, Troyon, Meissonier, 
Tissot, and others. Scarce lot. (30 pieces.) 

FRAMED ENGRAVING. ‘‘Infancy.” Curious old colored 


engraving in the style of Lancret, affixed to glass and painted as a 
transparency. 4to, in old frame. 


‘*Greenwich Pensioners Commemorating the Battle of Tra- 
falgar,” painted and engraved by John Burnet, open letter proof; 
Highland Courtship, engraved in stipple by F. Meyer, after F. W. 
Topham. Large folio, in old glazed frames, (2 pieces.) 


Sir Walter Scott, by John Burnet, after W. Allan, proof; The 
Chief’s Return, after Landseer; St. Cecilia, after Delaroche. In old 
glazedframes. (3 pieces.) 


— Sir Roger de Coverley and the Gypsies, after Leslie; Deliver- 
ance of St. Peter, after W. Hilton; The Loan of a Bite, after Mul- 
ready. Large 4to, in old glazed frames. (3 pieces.) 


— Highland Cottage, with a woman spinning, engraved by F. 
Holl; Portrait of Titian, engraved by Mandel; Tragedy, by A. W. 
Warren; Playing at Draughts, painted and engraved by John 
Burnet. - 4to, in old glazed frames. (4 pieces.) 


— The Old Block House, L. I.; Portrait of Gilbert Stuart; 
Kinloss Castle; and others. Etched by J. M, Falconer. Framed 
and glazed, various sizes. (5 pieces.) 


Srovies ot Olden Times; By the Sea: Etching, after G: H: 
Boughton; and others. All etched by J. M. Falconer. Framed 
and glazed, various sizes. (6 pieces.) 


FRANCESCO BOLOGNESE. Woted Jtalian Painter, real name 
Francesco Grimaldi, Castel Gandolfo, engraved by Vivares and 
Chatelin. Folio, full margin. London, 1769. 


* A Brilliant Original Impression of a bold and striking landscape, extending to 
the Roman Campagna, 


FRANKLIN (BENJAMIN). Half length, seated, with pen in 
right hand. Engraved in stipple by W. Haines, after Chamberlin. 
4to. Brilliant original impression. Phila. 1804. 


Full length, seated, facing to front, spectacles in left hand, 
compasses in right. Mezzotint by H. S. Sadd, after T. H. Matte- 
son, Large folio. Wide margin. New York, 1847. 


* Fine open letter proof, a presentation copy from T, H. Matteson, with his auto- 
graph. i 


165 


166 


167 


168 


169 


170, 


172 


173 


174 


175 


176 


The Anderson Auction Co. 


FRANKLIN (BENJAMIN). Full bust of Franklin, in metal, on 
pedestal. Finely made. Height 12% in. 


FRENCH LITHOGRAPHS, after Millet, Corot, Troyon, Diaz, 
and others, by Mouilleron, Lamy, etc. Mostly printed in brown 
tint. Folio and 4to. (16 pieces.) 

Ruines de Abbaye de Saint Maur, by Weirotter, after J. G. 

Willé; Fontaine pres de Meulan, by the same; Landing of A‘neas, 

and Roman Landscape, after Claude. Folio. (4 pieces.) 


Le Triomphe de Siléne, by Lempereur, after Vanloo; Cupid 
standing, after the same, by Sir Robert Strange; La Mére de Fam- 
ille, after Fragonard, Dy Romanet; and three others. Folio. (6 pcs.) 


‘‘La Prison,” by Romanet, after De Loutherbourg; Les 
Premiérs Pas de l’Enfance, by Duflos; Correction Maternelle, by De 
Longueil, after Aubry; and others. Folio, etc. (10 pieces.) 


EORGIA. Washing Morning, Down South, Georgia. Etching 
by J. M. Falconer, 1883. Signed proof, on satin. In frame, 
23% in. x 19% in. 

GRANT (GEN. U.S.) Woodcut portrait, colored. In handsome 
gilt frame. 11% in. x 13% in. 

GREUZE. ‘‘Le Gateau des Rois.” Engraved by J. J. Flipart, 
1777. Fine genré picture, with many figures. Large folio. Original 
impression. 

GWYNNE (NELL). Scene in a tavern, with Charles II. and party 
at a table; Nell Gwynne as an orange girl, standing beside it. 


Engraved by L. Stock, after Chas. Landseer. Folio. Fine impres- 
sion, with wide margin. London, 1846. 


AINZELMAN (E.) German Engraver, pupil of Poilly, The 
Virgin, washing linen, with the Child Jesus, after Sebastien 
Bourdon. Folio. Proof before letters, with wide untrimmed margin. 


HARPIGNIES (H.) ‘‘ Environs pe Roisin.” ETCHING. 4TO. 


ORIGINAL PROOF BEFORE LETTERS, SIGNED BY HARPIGNIES. 
* VERY RARE, . 


HARVEY (SIRGEORGE). ‘‘ First Reading of the Bible in the 
Crypt of St, Paul’s.” Engraved by Robert Graves, Large folio. 
Original proof, signed by the painter. In old gilt frame. 

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180 


181 


182 


183 


184 


185 


186 


187 


188 


The Anderson Auction Co. 


HAYTER (SIR GEORGE). Thirteen etchings (portraits, etc.) 
On thick Large Paper. Folio, in portfolio. (As a lot.) 


HENRIIV. Fine engraved portrait by Forster, after Lancrenon. 
India proof, with stamp. Large 4to. 


HIGHLAND INTERIOR. Fine line engraving (after Landseer?). 


Proof before all letters. Large folio, with wide margin. 


HILL (J.) arly Engraver. ‘* Washington’s Sepulchre, Mount Ver. 
non;” Burning of Savannah; View by Moonlight near Fayetteville- 
Aquatints after J. Shaw. Large 4to. (3 pieces.) 


MiothORIC SITES. Etchings by J. M. Falconer. Old Block 
House, L. I., built about 1750; Old Houses in Boston; Birthplace 
of Benjamin West; Independence Hall; and others. Folio and 
smaller. (15 pieces.) 


HISTORICAL PORTRAITS. Paul Jones, engraved by Carl 
Guttenberg (cut down); Andreas Doria, india proof; Bonaparte, by 
Fontaine, miniature; Duke of Reichstadt, after Isabey, fine impres- 
sion; Duke of Alva, india proof; and others. Mostly 8vo. (17 pcs.) 


HOOGLAND (WILLIAM). Zarly American Engraver. ‘* William 
E. Channing,” half-length portrait, after Chester Harding. Folio. 
Proof on india paper. New York, 1829. 


HUNTINGTON (DANIEL). ‘A Sibyl,” engraved by J. W. 
Casilear, 1847. 4to. Engraver’s unfinished proof on india paper. 


’ 


‘‘Signing the Death Warrant of Lady Jane Grey,” engraved 


by Charles Burt. Open letter proof, large folio, with wide margin. 
New York, 1848. 


TALIAN SCHOOL. The Magdalen, after Guido; Roman 
Ruins, by Piranesi; Les Blanchisseuses Italiennes, by Le Vas- 
seur, after Gambarini; and others. Folio. (9 pieces.) 


scape with Cattle, after Berghem; Marine View, after Van 
Goyen; Interior of a Shed, after W. Kalf. Proofs on india 
paper. 4to, on folio sheets. (3 pieces.) 


| eee (JULES). Famous French Etcher. Land- 


ENILWORTH CASTLE. Fine line engraved view of the 
K ruins, by Vivares, after T. Smith. Folio. London, 1769. 
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189 


Igo 


IQ! 


192 


m3 


197 


198 


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200 


201 


The Anderson Auction Co. 


AIRESSE (GERARD DE). The Golden Age; Feast of Bac- 
chanals; and another. Etchings by Nicolas Visscher and 


Blooteling. Folio. (3 pieces.) 

PANDSCARES: Etchings by Weirotter, Dietricy, and others. 
Ato. (14 pieces.) 

LANDSEER (THOMAS). Fine Etchings of a Barbary Lion, Elk, 
Bengal Tigers, etc. Large 4to. Brilliant original impressions. 
(6 pieces.) London, 1829-31. 

LANDSEER (SIR EDWIN). ‘Horses at the Fountain.” 
Engraved by J. H. Watt. Large folio. Brilliant impression on 
thick paper, with broad-untrimmed margin. London, 1847. 


‘‘ All that remains of the Glory of William Smith.” Engraved 
by John Pye. 4to. Original remarque proof. London, 1836. 


‘‘The Angler’s Daughter,’ engraved by W. Finden. Folio, 
wide margin. 


‘‘The Falconer’s Son,” engraved by W. Chevalier. Folio, 
wide margin. 


‘© A Distinguished Member of the Royal Humane Society. ’ 
Engraved by H. S. Beckwith. 4to. Proof before all letters on 
india paper, signed by the engraver. . 


LAWRENCE (SIR THOMAS). ‘ Nature,” engraved by G. T. 


Doo, 1832. Folio. Fine impression, with wide margin. 


‘Benjamin West.” Full-length portrait, engraved in line by 
C. Rolls. Large folio, wide margin.’ Brilliant proof before inscrip- 
tion on india paper. New York, 1842. 


LEITCH (W.L.) Woted English Painter. ‘‘The Villa of Lucullus 
at Misenum,”’ engraved by J. T. Willmore. Large folio, with wide 
margin. Open letter proof. London, 1851. 

* A fine Italian landscape in the manner of Turner. 


LESLIE (C.R.) ‘‘May Day in the Reign of Queen Elizabeth,” 
engraved by J. H. Watt. Folio, full margin. Fine open letter proof. 
* A Maypole with dancers round it, ;the May Queen sitting close beside; mummers, 


ladies in ruffs, men in costumes of the period, and many other ei make a graphic 
scene of life and animation. 


‘‘Anne Page, Slender, and Shallow’”’ (Merry Wives of Wind- 
sor), engraved by Charles Burt. Folio. Fine impression, with full 
margin. London, 1851. 


22 


The Anderson Auction Co. 


202 LINE ENGRAVINGS, by James Smillie, S. V. Hunt, and others. 
Proofs, three signed by the engraver. 4to. (14 pieces.) 


203 LITERARY PORTRAITS. Cervantes, by Peter Maverick; Sir 
Walter Scott, by R. J. Lane, on india; W. C. Bryant, by Parker, 
on india; George Buchanan, by Van der Gucht, 1715; Fitz-Greene 
Halleck; and others, Various sizes. (18 pieces.) 


204 LUCAS (DAVID). famous English Mezzotint, Engraver, ‘‘ THE 
Lock,” AFTER JOHN CONSTABLE. LARGE FOLIO, WITH WIDE MARGIN, 
BRILLIANT IMPRESSION. London, 1834. : 


* One of the most famous of the 19th Century mezzotint engravers, and the greatest 
expounder of the art of John Constable, the English landscape painter. ‘‘ In his 
treatment of the effects of light and shade in the original paintings—not adhering 
strictly to the letter of the copyist—he unfailingly succeeded in giving atmospheric 
effects in his engravings that were to a certaint extent only hinted at by Constable.” 


205 ——— ‘‘ THE CORNFIELD,” AFTER JOHN CONSTABLE. LARGE FOLIO, 
WITH WIDE MARGIN. BRILLIANT IMPRESSION. London, 1834. 


* Another equally beautiful mezzotint of one of the most famous of Constable’s 
paintings. Constable said of his engravings that it had ‘‘beautiful feeling and 


execution.” 
206 -——— ‘‘ The Corsair’s Isle,” mezzotint, after J. D. Harding. Large 
folio, with wide margin. Brilliant open letter proof (margin on one 


side stained, but the engraving not touched). London, 1835. 
* A fine example of Lucas’ work. 


207 BO ristoat in (CHARLES). French Etcher. Rural Scenes. 


Original impressions. Proofs. (6 pieces.) 


208 MARSEILLES. Entrance to the Port, lithograph by Sabatier and 
Lauvergne. Folio, with wide margin. Fine impression of a finely- 
drawn view. 


209 MARTIN (JOHN). ‘‘ The Eve of the Deluge.” Mezzotint by the 
Painter. Large folio, wide margin. 


210 MARY QUEEN OF SCOTS. Half length. Mezzotint by T. 
Hodgetts and Son, after Farino. 4to, wide untrimmed margin. 
Brilliant impression. Edinburgh, 1828. 


211 MAVERICK (PETER). Zarly American Engraver. Andrew Jack- 
son, half length in uniform, after Waldo. 4to. Original impression, 
with full margin. N. Y. 1819. 


212 MEISSONIER. A Cavalier, etched by Charles Blanc, 1866. Proof. 


T2105 Scarce. 
23 


The Anderson Auction Co. 


213 MEZZOTINT. Landscape with Cattle, engraved by T. Lupton, 
after Cuyp. 4to. Brilliant proof before inscription on india paper. 


‘‘The Idle Servant,’ engraved by T. Lupton, after Nicholas 
Maes. Folio. Original impression, with wide margin. Lond. 1829. 


214 


‘Anne Page and Slender,” by S. W. Reynoldsaitersies. 
Bonnington. Small 4to. Original impression with Bonnington’s 
stamp. Lond. 1829. 


‘¢The Opening of the Sixth Seal,” engraved by G. H. Phillips, 
after F. Danby. Graphic scene, with numerous figures, lightning 
rending the mountains, a conflagration, etc. Large folio, full mar- 
gin (one margin stained). Lond. 1836. 


ais 


216 


217 ——— ‘' The Cottage Child,” engraved by TD) Hodgente sean. 
Pocock. Folio. Proof, inscription in script, wide margin. 


218 Gainsborough’s Shepherd Boy in a Storm, proof before all 
letters, 8vo; A Brown Study, by F. J. Havell, proof, 1829; The 
Beggar’s Petition, by W. Owen, proof, 1834; The Ruined Gamester, 


by G. H. Every. Folio and smaller. (4 pieces.) 
219 MIERIS (FRANZ VAN). Die Wahrsagerin (The Fortune Teller), 


lithograph, the same size as the original painting drawn by F. 
Haufstaengl. Brilliant impression on india paper. Folio. 


220 MISCELLANEOUS. ‘A Greenwich Pensioner as Commodore 
Trunnion,”’ by F. C. Lewis, after Wilkie, 1826, folio, stamped proof; 
The Stirrup Cup, line engraving, proof, small folio, framed. 


(2 pieces. ) 

221 Raphael, after himself, engraved by Felsing, beautiful impres- 
sion; Madonna and Child, after the same, by G. T. Doo; Joseph 
and the Christ-Child, after Sasso-Ferrato, by Lehmann; and one 
other. Folio (one 4to). (4 pieces.) 

222 Tinted Lithograph—landscape—drawn by J. F. Cropsey; Don 
Quixote, after Leslie, engraved by Danforth: Photograph of a 
Woman; and two oil paintings—figure studies—on stretchers. 
(5 pieces. ) 

223 Vandyck’s Children of Charles I., engraved by Cooper, late 


impression; La Belle Chocolatiére, par Liotard, tinted lithograph; 
Notre Dame des Sept Douleurs, fine lithograph on india paper, after 
Guido Caulassé; and others. Folio. (7 pieces. ) 


24 


224 


225 


226 


227 


228 


9 


230 


231 


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The Anderson Auction Co. 


MISCELLANEOUS. Ugolino, after Reynolds, by Raimbach, india 
proof; Apollo, by A. B. Durand; Infant Christ, after Caracci, by 
W. Sharp, india proof; St. Gregory Refusing the Pontificate, by 
Moles, after Carle Vanloo, proof; and others. 4to and folio. (10 
pieces.) 


The Reprimand, etched by W. Shirlaw, india proof before all 
letters; Certificate of the Brooklyn Sanitary Fair, 1864, containing 
full-length portrait of Washington; The Escape of Capt. Wharton 
(from Cooper’s Spy), after T. F. Hoppin; Youth, after Thos. Cole, 
by Jas. Smillie, fine impression; Sparking, by Alfred Jones, fine 
impression; and others. Folio. (10 pieces.) 


eevveck of the Frederic,’ mezzotint, after C. Mozin; Fine 
early original etching of a Bull; Venus, by Claude Mellan; Etch- 
ings by Chardin; and others. Folio and smaller. (12 pieces.) 


Velasquez’s Infanta, fine mezzotint, by Luderitz, 1832; Proofs 
feeinnaskaper of J:G. Brown's ‘*On the Dock”; W. H. Miller’s 
Svaks, and F. Weicher’s ‘In the Land of Promise’; and others. 
Ato. (i2 pieces.) 


Iris and Echo, fine proof engravings by Folo, 1814; Les 
Precieuses Ridicules, by Gauci, after A. E. Chalon; The Image 
Breaker, by Alfred Jones, after Leutze. Folio. (12 pieces.) 


Bargaining for a Horse, by C. Burt, after W. S. Mount; Gar- 
den of Eden, by James Smillie, after Thomas Cole, india proof; 
The Card Players, by C. Burt, after R. C. Woodville; A Sibyl, by 
J. W. Casilear, after Daniel Huntington; and others. Folio. 
(12 pieces.) 3 


Tour du Nesle, and St. Sebastian, after Callot; Salut des 
Arabes, after Fragonard; L’Air, by Edelinck; and others. 8vo and 
4to. (30 pieces, as a lot.) 


Various steel engravings, woodcuts, etchings, portraits, views, 
caricatures. Fine specimens of wood engravings, etc., etc. Vari- 
oussizes. (About 100 pieces, asa lot.) 


A collection of about 150 Engravings after Stanfield, Liver- 
sedge, Teniers, etc. Mostly 12mo. (Asa lot.) 


———— Fine specimens of engravings on wood and in color after great 
paintings issued by various publications ; some color prints, woodcut 
portraits, studies, and other miscellaneous scraps, (About 300 


ieces, as a lot. 
p ; ) re 


The Anderson Auction Co. 


234 MISCELLANEOUS VIEWS. Gap of Dunlon, Killarney, etched 
by John Pye, 1814, india proof; Chatham, after Stanfield, fine aqua- 
tint; Forest in the Island of Sitka; and others. Folio and 4to. 


(7 pieces. ) 


235 MORLAND (GEORGE). A folio sheet containing four studies, 
drawn on stone by Morland himself. The subjects are a full-length 
figure of a shepherdess, a pig, a child riding on the back of another 
child, and a country cottage. All finely drawn in Morland’s char- 
acteristic style. Folio. Genuine original impression (small repair 
in margin). London, 1804. 


2 36 EW YORK CITY. The business card of the well-known art 
dealer and collector Samuel P. Avery when he was situated 
at the corner of Nassau and Ann Streets. Printed on glazed card, 

with a decorative woodcut design, Rare and interesting. 


View of the East River and Brooklyn Bridge. Etched by 
J. M. Falconer. Proof before all letters. Framed and glazed, 
23% in, x 17% in. 

Brooklyn Bridge. Three proof etchings from drawings made 
during its construction. In white enamelled frames. 10 in. x gin. 
(3 pieces. ) 


Bourne's Views. City Hotel, Broadway; Park Theatre and 
Park Row; Washington Hotel, Broadway; Grace and Trinity 
Churches; St. Thomas’ Church; Junction of Broadway and Bowery. 
16mo. SCARCE. (6 pieces.) 


237 


238 


240 


St. Paul’s, Broadway, and Trinity Churches, from the N. Y. 
Mirror; Old City Hall in 1789, after Diedrich Knickerbocker; New 
York Bay from Staten Island; and others. Various sizes. 
(15 pieces.) 

EtcHINnGs By J. M. Fatconer. Portrait of M. Paff, earliest 
picture-dealer in N. Y. City; First Methodist Loft; Demolition of 
the North Dutch Church, 1875; Where Salmagundi was published; 
and others. Various sizes. (Duplicates.) (30 pieces.) 


241 


242 An interesting Album of carefully drawn Pen-and-Ink Sketches, 
by J. M. Falconer, of Types of New Yorkers, many of them Por- 
traits. The subjects include: ‘‘Old Hays, the N. Y. High Con- 

_ Stable,” ‘Peter Funkan, Chatham St. Auctioneer,” ‘‘N. Y. Gamb- 


26 


The Anderson Auction Co. 


ieee |Ustice’ Elopson, N. Y.. Police,” ‘©Corn, Girl,” ‘!N. Y. 
Newsboy,” ‘‘ Theatrical Manager,” ‘‘ Soap-lock Lawyer,” ‘‘ Belle 
of the Bowery,” etc., etc., the sketches numbering 25, and made 
in 1840-41. In oblong small 4to half calf volume. 


243. NEW YORK, ETC. Etched Views of Bay Ridge, Palisades of 
the Hudson, etc. By J. D. Smillie and others. 4to. India proofs. 
(14 pieces.) 


244 LD ENGRAVINGS. Discord and Harmony, by Crispin de 
Passe, after Martin de Vos, 1589 (margins cut, rare); Biblical 
Subject, by John Sadeler, after Martin de Vos; Banquetting Scene, 

by Joost Pieters; and other old engravings. Various sizes. 


245 OLD MASTERS. The Bather, by Rembrandt; The Cartoon of 
Pisa, by Schiavonetti, after Michael Angelo; Return of the Prodi- 
gal, by J. Stewart, after Caravagio; Engraving, after Correggio, by 
Surngue; and others. Various sizes. (15 pieces.) 


246 OSSIAN. ‘Ossian with his Harp charming up the subject of his 
Songs.” Engraved by John Godefroy—noted French engraver, 
pupil of Le Bas—after Gerard. Fine engraving, with full-length 
figures of Ossian, Fingal, and other characters of the poem. 
Original proof before inscription, with full margin. 


247 OSTADE (A. VAN). ‘Danse au Cabaret.” qto Early impression. 


248 ASTORAL LANDSCAPES, after Berghem and others. Old 


copper engravings. 4to and folio. (12 pieces.) 


249 PEELE (JOHN T.) WNoted American Painter. ‘‘A Prayer for 
Health.’ One of the children-pictures for which he was celebrated. 
Engraved by R. Parkes. Large folio. Open letter proof, with 
wide margin. London, 1872. 

* Presentation copy from J. T. Peele, with his autograph. 

250 PERELLE (GABRIEL). Woted French Landscape Engraver. Orig- 

inal and early Etchings of Landscapes. Small 4to. (25 pieces.) 


251 PHILADELPHIA. Independence Hall (where Jefferson wrote the 
Declaration of Independence), Etched View, by J. M. Falconer. 
Framed and glazed, 23% in. x 19% in. 


‘“The House where Robert Fulton Served his Apprentice- 
ship.” Etching by J. M. Falconer. Signed proof, in frame, 
13% in. x 20% in. 


252 


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253 


254 


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259 


262 


263 


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The Anderson Auction Co. 


PHOTOGRAPHS. French and Swiss Views; photographs from 
paintings by J. F. Kensett, Meissonier, Cropsey, Raphael, and 
others; and various other photographs. Mounted, Folio. (25 


pieces. ) 
Photographs of Landscapes and Paintings. 4to. Mounted. 
(40 pieces.) 


Another lot. (40 pieces.) 


Views: English, French, and American. Large 4to. Mounted. 
(50 pieces.) 

Miscellaneous Photographs, cabinet size; reproductions of 
painted plaques of Shakespeare’s birthplace, portrait of Washing- 
ton, cabinet photos of Longfellow, Lehmann’s portraits of Barry 
Cornwall and Theodore Martin, and various others, mostly dupli- 
cates. (45 pieces, as a lot.) 


Photographs of paintings by G. H. Boughton (with his auto- 
graph), and by other noted painters. Mounted. 4to. (55 pieces.) 


Cartes-de-Visite of paintings by the old masters, views, cos- 
tumes, portraits, etc. (About 140, as a lot.) 


Views of places, copies of paintings, etc. About 100 pieces, 
unmounted, (Asa lot.) 


PICART (B.) Culs-de-lampe, headpieces, and decorative designs 
with centre figures and ornamental borders. Pretty and neat 
designs. Small 4to. (21 pieces.) 


PORTRAITS. Photographs direct from the original paintings in 
the University of Oxford, famous English private collections, etc., 
of famous characters: Peter Martyr, Carew and Killigrew, Prince 
Rupert, Sir Henry Vane, Oliver Cromwell, Holbein, Milton, 
Chaucer, Anne Boleyn, Suckling, Vandyck, Charles I., etc., elco: 
the original paintings by Holbein, Vandyck, and other masters. 
Small 4to. Mounted. (66 pieces.) 


POUSSIN (GASPAR AND NICOLAS). Seventeen of the 
scenes in the Life of the Virgin, by Mochetti, after Nicolas Poussin; 
allegorical painting after the same, by Castellus; three landscapes 
after Gaspar Poussin, by Mason and Vivares. 4to. (21 pieces.) 


‘‘ Jonah,” engraved by Vivares. Large folio. 
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The Anderson Auction Co. 


265 PROUT (SAMUEL). Famous English Landscape Painter. ‘'The 
City of Venice,” engraved by Henry Le Keux (Engraver, noted for 
his architectural drawings). Folio, full margin. Fine impression. 
London, 1834. 


* A fine view, taken from the Grand Canal opposite St. Mark’s Plaza, and showing 
the Ducal Palace, the Campanile, the Bridge of Sighs, etc. 


266 ‘‘East Porch of Chartres Cathedral,” engraved in mezzotint 
by J. Egan. Large folio. Fine impression of a carefully executed 
architectural study. London, 1836. 

267 European Views, engraved after Prout. Antwerp, Ghent, 
Nuremberg, Dresden, etc. 8vo, views on folio sheets. India 
proofs. (13 pieces.) 

268 ARE ETCHINGS. The Savant, by Van Vliet; and other 


etchings by Ostade, Hollar, Denon, etc. Various sizes. 

(12 pieces.) 
269 REMBRANDT. Portrait of Nicholas Berghem, the Painter, en- 
graved in mezzotint by Chas. Turner. Fine open letter proof. Folio. 


Christ Healing the Sick. (The too Gulder Piece.) Fine 
etching, printed in brown, and signed T. W., 1758. to. 


270 


‘‘Rembrandt’s Marriage.” Mezzotint by S. W. Reynolds, 
after Rembrandt. Folio. Fine open letter proof, with margin. 
London, 1811. 

The Shipbuilder and his Wife, mezzotint by J. P. Quilley, fine 
impression (margin foxed); The Gold Weigher, etching; Christ in 
the Storm, engraved by Fittler; The Salutation, engraved by John 
Pnimet. “4to. (4 pieces.) 


271 


272 


Woman sitting before a stove; Head of a man with fur tur- 
ban; Man drawing at a window; The Crucifixion, and head of an 
old woman; and Abraham Fransz. Early impressions. (6 pieces.) 


273 


Beggars; etc. Modern impressions, on 4to paper. (10 pieces.) 


274. 

275 RIDINGER (J. E.) Woted German Engraver of Wild Animals. A. 
series of 34 fine engravings of deer, wild boar, chamois, bears, 
badgers, and other wild animals. Brilliant original impressions. 
Holic, (34 pieces.) 

276 RUBENS. Death of Hippolytus, by Anker Smith, india proof; 
The Woman taken in Adultery, by W. Bromley; Coronation of 
Mary de Medicis, fine folio line engraving. (3 pieces.) 

29 


The Anderson Auction Co. 


7 T. MEMIN PORTRAITS. Two St. Memin portraits, orig- 
inal impressions. (One bears the inscription for Mrs. Cornelia 
Lawrence, and is possibly a portrait of Cornelius Lawrence, but is 
damaged by pin holes and soiled; the other in good condition.) 

(2 pieces. ) 

278 SANDBY (PAUL). Woted English Painter and Engraver. Ruins 
of Constantine’s Arch at Fano, Aquatint by P. Sandby. Polio; 
fine impression, printed in brown. London, 1778. 

Rinaldo at the Enchanted River; Incantation scene; and two 
others. (Illustrating Tasso.) Painted by J. Collins, engraved by 
Sandby and E. Rooker. Folio. (4 pieces.) 3 

280 SCHEFFER (ARY). ‘Dante seeing Paolo and Francesca in Pur- 
gatory.”’ Engraved by Calamatta. Brilliant proof before letters, 
with both the engraver’s and publisher’s stamp. Folio, wide mar- 
ain. Paris, +1843: 


279 


281 ‘*Faust seeing Marguerite leaving Church,” Engraved by 
Adolphe Caron. Folio, fine proof before letters, on india paper, 
with stamp, wide margin. 

282 — Mignon, and another subject. Engraved by Aristide Louis. 


Folio, proofs on india paper. (2 pieces.) 


283 SCHOFF (STEPHEN A.) Early American Engraver. ‘‘ Caius 
Marius on the Ruins of Carthage,” after Vanderlyn. Folio, orig- 
inal open letter proof, with wide margin. New York, 1842. 


284 SCOTLAND. West Bow, Edinburgh, with soldiers in armor, 
marching; Moray House, Canongate, with armed conflict, after 
Nash; Roslin Castle, after Harding; Edinburgh Castle, after 
Leitch; and others. Fine folio lithographs. (6 pieces.) 


285 SCRAP BOOK. Containing about 150 engravings, etchings, mezzo- 
tints, etc., after noted artists, in all subjects. Mostly r2mo size. 
Small 4to, half roan. 


286 


Containing over 200 octavo and smaller engravings after 
famous paintings, some old etchings, and a few mezzotints and 
original drawings. Small 4to, half roan. 


287 SHARP (WILLIAM). Woted English Engraver. ‘'The Sortie 
made by the Garrison of Gibraltar, Dec., 1781,” after John Trum- 
bull. Large folio, with large untrimmed margin. London, 1799 
* A brilliant early impression of this famous painting, in a fine state. It is per- 
haps not generally known that the dying Spanish officer in the foreground is a por- 
trait of Sir Thomas Lawrence, he sitting to Trumbull for that purpose. 


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288 SHARP (WILLIAM). ‘‘Interview of Charles I. with his Chil- 
dren.” Engraved after S. Woodford. Fine engraving, with full- 
length figures of Charles I., Cromwell, Henrietta Maria, etc. Large 
folio. London, 1821. 


289 


‘* King Charles II. landing on the Beach at Dover.” Engraved 
by Sharp and Woollett, after Benjamin West. Folio. 


290 SKIRMISH IN A RAVINE between French Cavalry and English 
Infantry. [Napoleonic period.] Engraved by W. R. Smith after 
Sir Robert Ker Porter. Graphicscene. Folio. India proof before 
letters with wide margin. 


291 SMITH (J. R.) WMoted English Mezzotint Engraver. Portrait of Sir 
John Smith, after Opie. 4to. Brilliant original impression. 


292 STANFIELD (CLARKSON). “ The Castle of Ischia.” Engraved 
by E. Goodall. Large folio, proof on india paper, with title in- 
scription. Wide margin. 

* A fine characteristic marine view by this great painter. 


*S WRECKERS OFF ForRT ROUGE, CALAIS IN THE DISTANCE.”’ 
ENGRAVED By J. P. QUILLEY. LARGE FOLIO, WIDE MARGIN. 


* BRILLIANTLY PRINTED IN COLORS. ORIGINAL IMPRESSION. RARE IN THIS 
STATE. 


294 STEREOSCOPE, with about 200 views, including some trans- 
parencies. (As a lot.) 


aoS 


295 STOTHARD (THOMAS). ‘John Gilpin.” Engraved by W. H. 


Worthington. Oblong 4to. Fine original open letter proof onindia 
paper. Lond.: Pickering, 1825. 


296 STRANGE (SIR ROBERT). Woted English Engraver. ‘‘ The 


Apotheosis of the Princes Alfred and Octavius” (children of 
George III.), after West. Folio. Original impression with large 
margin. 1786. 

‘*Dane,” after Titian. Folio. Original impression, wide 
margin. 


298 STUART (GILBERT). Copper-plate etched by J. M. Falconer. 


Facsimile of Gilbert Stuart’s pen-and-ink portrait of himself. 


201 


299 ENIERS anv OSTADE. Le Jeu de Cochonet, by Moitte, 
early engraving; Tric-Trac, by W. Raddon; Depart pour and 

Arrivé au Sabat, by Aliamet; Boors Drinking, after Ostade, by 

J. B. Michel, and three others after the same. Folio and 4to. 


8 pieces. 
(3 p ) ee 


The Anderson Auction Co. 


300 TIVOLI. ‘‘ Villa d’Este in Tivoli.” Drawn and engraved by C. 
Frommel, Landscape, with Italian peasants dancing, and other 
figures. Folio. Original impression, with stamp. 


TURNER (CHARLES). Noted Mezzotint Engraver. ‘*St. Luke,” 
after Guercino. 4to. Brilliant original impression, printed in 
colors, with wide margin. Scarce inthis state. London, 1814. 


302 TURNER (J.M. W.) ‘‘Ancient Carthage.” Engraved by Daniel 
Wilson. Large folio with wide margin (margin a little foxed). 
London, 1842. 

* A very fine impression of one of Turner’s masterpieces, and an original. For 
some unaccountable reason the earlier engravings of the works of Turner have been 
for some years almost entirely neglected by the collector, but within the last two years 
a distinct revival has taken place in England, and the early impressions are now being 
eagerly sought for at rapidly advancing prices. 


— 


30 


323 ‘‘ Richmond Castle and Town.” Engraved by J. Archer. 4to. 
Fine original impression. Colored. London, 1820. 

304 Ivy Bridge, Devonshire. Line engraving by Allen, 1821. 
Proof, framed and glazed, 20% in. x 17 in, 

395 “Moss Dale Fall.” Engraved by S. Middiman. 4to. Fine 
Original impression. Colored. London, 1822. 

306 ‘Kirby Lonsdale Churchyard.” Engraved by C. Heath. 4to. 
Fine original impression. Colored. London, 1824. 

307 “Mercury and Argus.” Engraved by J. T. Willmore, Large 
folio with wide margin. Brilliant proof. London, 1841. 

308 ‘““Nemi.” Engraved by R. Wallis. Folio, wide margin. 
London, 1842. 

399 ‘“Oberwesel.” Engraved by J. T. Willmore. Folio. Fine 
impression, wide margin. London, 1842. 

310 ‘“The Town and Castle of Heidelberg.” Engraved by T. A. 
Prior. Large folio with wide margin (margin slightly foxed)., 

* Brilliant original impression. 

Git ‘‘The Eddystone Lighthouse.” Engraved in mezzotint by 
T. Lupton. Small 8vo on a 4to sheet. Fine artist’s proof. 

312 Lulworth Castle, engraved by G. Cooke, 1821; Aysgarth 
Fort, by J. Scott, india proof, 1820. 4to. (2 pieces. ) 

313 Rochester, mezzotint by Lupton, 1824: Straits of Dover, by 


W. Miller; and another. 4to. Original impressions. (3 pieces. ) 
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315 


316 


317 


318 


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320 


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The Anderson Auction Co. 


ANDYCK. Charles I., three half lengths (profiles and full face), 

engraved by W. Sharp, original impression, 1815; Gentlemen 

of the Court of Charles I., by C. Heath, open letter proof; Charles I., 
full length, in armor, by Peter Van Gunst. Folio. (3 pieces. ) 


VANLOO (CARLE). Worted Painter. Three fine figure studies, 


engraved by Demarteau, and printed in red. Folio. (3 pieces.) 


VERNET (CARLE). Studies of Horses—a Cossack, English 
Hunter, English Race-horse, etc. Lithographs by Jeantet. 4to. 
(f1 pieces.) 


VIEWS. Various engraved views, mostly European. (About 4o 
pieces, as a lot.) 


ETCHINGS By J, M. Fatconer. American and English views, 
old historic buildings. Various states of the plates and duplicates. 
(About 80 pieces, as a lot.) 


VIEWS BY AMERICAN ARTISTS. Views in the Catskills; 
New Jersey; Rock-Bridge, Va.; Highlands, N. Y.; and others. 
After Cropsey, Kensett, Weir, etc. 4to, proofs on india paper. (7 
pieces. ) 


Ruins of Fort Hale; Lake George in the Olden Times, after 
J. S. Cropsey; Schroon Lake, after Thomas Cole; Dover Plain, after 
Durand; Mt. Washington, after J. S. Kensett; and others. 4to. 
Proofs. (10 pieces.) 


VIEWS PRINTED IN COLOR. The House of Rembrandt; 
Trinity, near Edinburgh, 1833; At Verona; At Venice; etc. 4to. 
(10 pieces.) 


ARD (WILLIAM). famous Mezzotint Engraver. ‘‘ A Dutcu 
SCHOOL,” AFTER JAN STEEN. Folio. BRILLIANT OPEN LETTER 
PROOF, WITH LARGE UNTRIMMED MARGIN. London, 1821. 

* An exceptionally beautiful original impression printed in brown, combining in the 
one engraving the work both of one of the greatest English engravers and of one of 
the greatest of the Dutch School of painting. The numerous figures, with their various 
attitudes and expressions, have been seldom equalled in any other of this class of 
painting, and the absence of vulgarity—so common in the Dutch School—is strikingly 
absent. 


323 WARREN (A. W.) Correspondent during the Civil War. Original 


pencil sketches made by him of military incidents—turning a rebel 

earthwork at the front during an engagement, and other interest- 

ing sketches, with signed explanatory notes on the back. (14 pieces.) 
33 


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324 WASHINGTON (GEORGE). ‘‘Commemoration of Washing- 
ton’ Full-length figure of Washington rising from the tomb sup- 
ported by Time. Drawn and engraved by J. J. Barralet. Folio. 
(Margin cut close.) Phila-, 1816. 


325 WATERLOO (ANTONY). Celebrated Painter and Etcher. Six 


landscapes. Original impressions. Scarce. (6 pieces.) 


326 WEST (BENJAMIN). Portrait of the painter, engraved in stip- 
ple by Caroline Watson, after G. Stuart. Small gto. Very beauti- 
ful impression. 


327 WILKIE (SIR DAVID). ‘‘ Village Politicians.” Engraved by A. 
Raimbach. Large folio.. Fine original impression, with full mar- 
gin. London, 1814. 


328 ‘The Piper.” Engraved by E. Smith. 4to. Brilliant orig- 
inal open letter proof, with full margin. London, 1824. 

329 ‘Duncan Gray.” Engraved by F. Englehart. Folio. Brilliant 
open letter proof. Published by Wilkie, London, 1828. 

330 John Knox preaching before the Court of Mary Queen of 
Scots. Line engraving by George T. Doo, 1836. Proof before 
inscription, on india paper. Framed and glazed, 36 in. x 2g in. 

9310- ‘Columbus propounding his theory of a New World.” En- 
graved by H. T. Ryall. Large folio, wide margin. London, 1843. 

* Brilliant open letter proof of this famous portrait of Columbus, and the best 
engraving of it made. Original impression. 

cee ‘‘ The Highlander’s Return.” Engraved by W. Finden. Large 
folio, with wide margin. Brilliant impression. London, 1845. 

333 “The School.” Engraved by John Burnet. Large folio. 
Brilliant open letter proof, with wide margin, Original impression. 
London, 1845. : 

334 ‘** Napoleon and the Pope.” Engraved by J. H. Robinson. 
Large folio. Brilliant original open letter proof, with wide margin. 
London, 1848. . 

335 ‘* Alfred in the Neatherd’s Cottage.” Engraved by J. Mitchell, 
Large folio, full margin. Fine impression. 

336 ‘“Guess My Name.” Engraved by E. Smith. Folio. Open 


letter proof, with full margin. 
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The Anderson Auction Co. 


: 337 WILKIE (SIR DAVID). ‘Old Mortality.” Original pen-and-ink 


drawing, by Sir David Wilkie, to illustrate Sir Walter Scott’s novel. 
6% in. x 6 in. 


83802 Guess My Name, line engraving by Edw. Smith, London, 
1829 (foxed); Village Recruits, line engraving by Chas. Fox, Lon- 
don, 1838. Both framed and glazed. 26 in. x 20 in. and 29% in. 
x 24% in. (2 pieces.) 


339 WITHERINGTON (WILLIAM F.) Znglish Painter. ‘‘The 
Dancing Bear.”” Engraved by Henry Meyer. Large folio, with full 
margin. Brilliant open letter proof. London, 1828. 


340 WOODVILLE (R. C.) American Painter. ‘‘Mexican News.” 
Engraved by Alfred Jones. Folio. Fine open letter proof, with full 
margin. New York, 1853. 


* A characteristic American country scene, with figures. 


341 WOOLLETT (WILLIAM). One of the 18th Century Masters of En- 
; graving. ‘‘The Death of General Wolfe,” after Benjamin West. 
Large folio, with half-inch margin. 

* Original impressions of this masterpiece of Woollett’s are rare. After the comple- 
tion of the plate by the engraver, and a few copies being taken, the plate was ma- 
liciously damaged by someone in the printer’s employ. It was consequently necessary 
to re-engrave the plate, from which most of the copies that occur were made. 


‘*The Landing of Mentor and Telemachus on the Island of 
Calypso,” after Benjamin West. Fine impression on india paper. 
Large folio, with wide margin. London, 1824. 


342 


elie Battle at La Hague,” after Benjamin West, Folio: 
Fine impression. 


343 


’ 


‘Apollo and the Seasons,” after R. Wilson and Mortimer. 


344 
Folio. 


* Fine engraver’s proof, before the cleaning of the edges of the plate. 


ric=a=Brac, Paintings on China, 


345 


346 
347 


348 


349 


35° 


30! 


shed 


303 


354 


355 


i=) 


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Sculpture, tc. 


om 


BRONZE, BY KARL MULLER. Full-length figure of a black- 
smith, standing, lighting his pipe, anvil behind him, tools at his 
feet. Height, 10% in, . 


Bronze figure of a dog, sitting. By Karl Muller. Height, 6 in. 


Japanese Bronze. Grotesque full-length figure of a man with 
a cloak around him, and bare legs. 


CHINESE BOWL, red and gold, decorative ornamentation, con- 
taining figures, scenes and inscriptions. With maker’s mark. (Re- 
paired and slightly damaged.) 

BLUE CHINA PLATE. Large size, with decorative design of 


birds and flowers. 

BLUE CHINA BOWL, with centre figure of a boy and lamb, and 
broad floral decoration round margin. (Repaired and slightly dam- 
aged.) 

CHINA PLATE, with colored painting, by J. M. Falconer, of 
Washington’s Headquarters at Tappan, N. Y. Diameter, 13% in. 


CHINA PLATE, with colored painting of the ruins of ‘‘ Old St. 
Ann’s, Brooklyn,” on May 5, 1880, Diameter, 13% in. 

CHINA PLATE, with colored painting of the Beverley Robinson 
House, the Highlands, N. Y., from which Benedict Arnold escaped. 
Diameter, 17 in. 

CHINA PLATE, with colored painting of the Stone House, Tap- 
pan, N. Y. (the place of imprisonment of Major André). Diameter, 
17 in: 


CHINA PLATES, one with a colored painting of Snake Hill, N. J., 
the other with a view of Rhode Island. In frames. (2 pieces. ) 


CHINA PLATES, with colored paintings of views in New York, 
Long Island, etc. (8 pieces.) 
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357 


358 


359 


360 


361 


362 


363 


_ 364 


365 


366 


367 


368 


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CHINA PLATES, with colored paintings of fruits, flowers, etc. 
(15 pieces. ) 

FALCONER (J. M.) Flowers from Bay Ridge, L. I. Painted on 

_ tiles. In frame, 1434 in, x 1034 in. 

FLOWER BOWLS, with original painted designs. Earthenware. 
(3 pieces.) 

MEDALS. Louis XVIII., head engraved by Andrieux; on the re- 


verse a full-length Venus of Milo, with Egyptian Sphinxes, and in- 
scription. Finely designed and made. 


Queen Victoria’s Coronation, bronze; John Mathews, bronze; 
English Reform Bill, 1832, lead; A stamped bust; and two impres- 
sions in metal from ancient seals (Jupiter and Leda, and Bacchanals). 
(6 pieces.) 

MEDALLIONS. A.sert THoRWALDsEN. Sculptor. Head, profile 
to right. Circular medallion in white cement. Diameter, 234 in. 


Lorp Byron. Profile, in white cement. In frame. g in. square. 


SIR WALTER ScoTT. Profile, in white cement. In frame, 9 
in, square. 

MISCELLANEOUS. Plaster Medallion of Queen Victoria; Plate 
in Etruscan ware; a Miniature; Painters’ Palettes; and other scraps. 
(As a lot.) 


PLASTER CASTS. The Three Graces, height 32 in. (damaged) ; 
Bust of a youth, 13 in.; and other subjects in plaster (two dam- 
aged). (7 pieces, as a lot, sold as not returnable.) 


SCULPTURES. ‘‘Hot.” Marble bust of a young girl in a sun- 
bonnet. By Karl Muller. Height, 9% in. 


Finely executed marble bust of a young boy, bareheaded. 
No name of sculptor. Height, 10 in. 


Another somewhat similar, but smaller in size. Height, 8% in. 


STATUETTES IN TERRA-COTTA. Full-length figure of 
a beggar; Bust of a Zouave (slightly damaged); Bust of a man. 
Cleverly designed by L. Desbordes. (3 pieces.) 


STATUETTES IN MODELLING CLAY. 13 humorous 
figures, very cleverly modelled by L. Desbordes, in modelling clay. 
(Sold as not returnable, most of the figures being somewhat dam- 

aged.) (Asa lot.) 


37 


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372 VASES. 2 in terra-cotta, and 3 in Etruscan ware. Various shapes. 
(5 pieces. ) 


373 Vases of various sizes and shapes, in terra-cotta and black 
(all somewhat damaged). (10 pieces, as a lot.) 
374 


Metal Vase, thin stem, with broad, flat bowl, decorative work, 
with an Egyptian head on base. Height, 5% in. 


375 TIN-TYPES, with Portraits of Washington, after Stuart; Paintings, 
etc. (About 35 pieces, as a lot.) 


376 DOVE. A Dove, finely executed, in white composition. 6 in. long. 


SECOND’ SESSION. 


Paintings in Oil and Water=Colors. 


(All are Owl Patntings unless otherwise stated. The measure- 


ments as given include the frames.) 


eS 


377 DIRONDACKS (THE). Two original oil paintings, unsigned. 


On stretchers. 20in. x 14 in. (2 pieces.) 


378 ALLSTON (WASHINGTON). Distinguished early American 
Painter, ‘Mother and Child,” pen-and-ink drawing. The orig- 
inal sketch drawn for the painting. From the collection of Henry 
Inman, N.A. In maple frame, 13% in. x 12% in. 


379 AMERICAN VIEWS. Studies from Nature, views of places, etc. 


Original drawings in oil on millboard by J. M. Falconer. (About 
35 pieces, as a lot.) 


/ 

380 ANDRE (MAJOR JOHN). Water-color drawing, by J. M. Fal- 
coner, of the ‘‘Stone House,” Tappan, in which André was 
imprisoned. Folio. 

38 


381 


The Anderson Auction Co. 


EARD (W. H.) American Painter, Member of the National 
Academy, etc. ‘* Puss Hunting.”” (The original of the well- 
known engraving by S. V. Hunt.) In gilt frame, 15% in. x 17% in. 


382 BENSON (EUGENE). Woted American Painter, Associate of the 


Soa — 


National Academy, Exhibitor at the Royal Academy (London), National 
Academy (N.Y.), the Parts and Philadelphia Expositions, etc. Finely 
executed oil painting of a girl in black, seated, with letter beneath 
her hands; on the back of the chair is thrown a striped blanket. 
In gilt frame, 2334 in. x 19% in. 

‘“On the Merrimack River, 1866.” Carefully executed. In 
frame, 15 in. x 11 in. 


384 BLAUVELT (CHARLES F.) American Painter, Member of the 


National Academy, Professor of Drawing at U. S. Naval Academy, 
1878, Exhibitor at many Exhibitions. May Day, 1861.” Cleverly 
executed oil painting of a family just moving into a new dwelling ; 


full-length figures of a woman, child and boy. In neat gilt frame, 
reitie x! 27° in: 


385 BOSTON. Old House in Boston, built 1680. Water-color by J. 


386 ———— 


387 


M. Falconer, 1859. In gilt frame, 16 in. x 12% in. 


Old House in Cross St., Boston, built when that city was in 
British possession. Water-color by J. M. Falconer, 1880. In frame, 
I5in. x 2232 in. 


Another copy of the same, but in a mat (not framed). 


388 BOUGHTON (GEORGE H). ‘A Tremenpous Hirt, 1852.” 


LP) leans 


Humorous water-color drawing of a boy being snowballed. In gilt 
PiaMme.t232 in, x 1354 in. 


‘‘THe Lost Hunter, 1858.” A HUNTER, SITTING IN DESPAIR 
ON THE SNOWY GROUND, WITH HIS GUN ACROSS HIS KNEE; FIR BUSHES 
AND ROCKS TO RIGHT AND LEFT, SNOWY MIST IN THE AIR, VERY 
FINELY PAINTED, AND A CHARMING SPECIMEN OF THIS NOTED PAINTER. 
In gilt frame, 18 in. x 12 in. 


‘* AUTUMN ON THE HupDSON RIVER.” CHARMING OIL PAINTING 

BY THIS FAMOUS PAINTER OF A MISTY AUTUMN MORNING, THE RIVER 

PLACID, WITH SAILING BARGES DRIFTING, THE TOP OF THE HILLS ON 

THE FURTHER BANK, RED WITH AUTUMN FOLIAGE, SHOWING THROUGH 
THE MIsT. In handsome gold frame, 13% in. x g in. 

* A presentation work for J. M. Falconer, executed by G. H. Boughton on the 

morning he came from Albany to New York to settle in this city, with his inscription 


on the back. 
89 


The Anderson Auction Co. 


391 BOUGHTON (GEORGE H.) ‘‘A HAnpFut oF BLACKBERRIES.” 


Charcoal drawing, in maple frame, 18% in. x 14 in. 


‘¢ THe HELPING Hann, STUDY MADE AT ECOUEN, 1861.”’ Pretty 


392 
painting of a little child shovelling snow with a fire shovel, In gilt 
frame, 8 in. x 10 in. 

393 ‘¢THe Rest By THE Way.” Full-length figure of a French 


peasant girl standing beside a stone wall in the act ofresting. Care- 
fully executed. In gilt frame, 15 in. x 19% in. 


394 BROOKLYN. Capt. Seeley’s Boat House, foot of Hicks Street. 
Painted on millboard .,by J. M. Falconer, 1876) 12 1m) 2ueem 
(Back view.) 


395 Another view, taken from the water front. © Painted by J. M. 
Falconer, on card 13% in. x 9% in. 

396 The De Hart House, view of the whole of the old building. 
Painted by J. M. Falconer. 16 in. x. 11% in. 

397 The De Hart House, Brooklyn, built 1646, pulled down 1886. 
Water-color by J. M. Falconer, painted on the last morning of its 
demolition. In gilt frame, 24% in. x 19% in. 

398 ‘‘The Last Evening of the De Hart House, 1886.” Water- 
color by J. M. Falconer. In gilt frame, 25 in. x 21 in. 

399 AT THE FOOT OF Hicks St., BRookiyn, L. I. INTERESTING 


AND SKILLFULLY-EXECUTED OIL PAINTING, REPRESENTING THE SHORE, 
OLD BUILDINGS, AN OLD HOUSE BOAT, ETC. Painted 1877. In hand- 
some gold frame, 3434 in. x 25% in. 


400 BROOKLYN AND CONEY ISLAND. Various paintings on 
millboard by J. M. Falconer. (25 pieces.) 


401 BROWN (JAMES). Five original water-color drawings. (5 pieces.) 


402 BROWN (J. G.) One of the most celebrated of the later American genré 
painters. ‘‘ CHILDHOOD, 1860.” Painting of a young curly-headed 
child, blue dress, In frame, 11 in. x-fo in. 


403 ‘AN OLD Woman KnitTING, 1862.” Carefully-executed study. 
[neg ili rate wren ox 1 iin, 
404 ASTELLI. ‘Who is the Tallest?” Very prettily painted 


water-color. Two figures,a man and a woman in carnival 
costumes, standing back to back, with trees in the background. In 


frame, I5 in. x 18 in. 
40 


The Anderson Auction Co. 


405 CATSKILLS (THE). South Mountain, from the Hill, 1862. 


Painted by J. M. Falconer. In gilt frame, 1oin. x 7% in. 


406 CIVIL WAR. Union Volunteers’ Refreshment Saloon of Philadel- 


phia (first ofits kind). Colored lithograph. Procession of soldiers, 


cheering citizens, etc. Large folio. Phila,: T. Sinclair, 1861. 
* With stamp of the Committee. 


407 COLE (THOMAS). ‘‘Tue Titan’s Goset, 1833.” A REMARK- 


a = 


409 


410 


ABLE SYMBOLIC PAINTING BY THE DISTINGUISHED AMERICAN PAINTER, IN- 
FLUENCED BY THE NORSE LEGEND OF THE TREE OF LIFE. RUGGED 
MOUNTAINS CATCHING THE DEPARTING GLEAMS OF THE SETTING SUN 
FORM THE BACKGROUND FOR A GIGANTIC CUP PLACED ON THE PROJECT- 
ING POINT OF A ROCKY HEADLAND JUTTING INTO A SEA, ON THE SHORE 
OF WHICH IS SEEN AN EASTERN CITY, IN,THE IMMEDIATE FOREGROUND 
VERDURE-CLAD CLIFFS GLOWING IN THE SETTING SUN, AN EXTENSIVE 
LANDSCAPE SPREADING OUT TO THE LEFT. THESPIRITUALIDEA IN THE 
CENTRE OF THE PAINTING, CONVEYING THE BEAUTIFUL NORSE THEORY 
THAT LIFE AND THE WORLD IS BUT AS A TREE WITH RAMIFYING 
BRANCHES, IS CAREFULLY CARRIED OUT BY THE PAINTER, THE STEM OF 
THE GOBLET BEING A MASSIVE TREE-TRUNK, THE BRANCHES OF WHICH 
SPREAD OUT AND HOLD BETWEEN THEM AN OCEAN DOTTED WITH SAILS, 
SURROUNDED BY DENSE FORESTS AND PLAINS, IN WHICH APPEAR GREEK 
RUINS AND A MODERN ITALIAN BUILDING, TYPICAL OF ANCIENT AND 
MopERN CIVILIZATION. THE PAINTING HAS BEEN EXHIBITED AT THE 
Penn. ACADEMY OF FINE ARTS, 1842, AND MANY LATER EXHIBITIONS. 
In handsome gilt frame, 25 in. x 28 in. 


Franconia, N. H.-A mountain pool surrounded by high 
rocks. In gilt frame, 19% in. x 23% in. 


‘¢The Good Shepherd.” Drawing in charcoal, 1847. In gilt 
frame, 171n. x 13% in. 
®* The original drawing for the last picture he "painted—the Good Shepherd— 
executed for Mr. Gideon Lee, N. Y. 


‘¢ Salvator Rosa sketching Banditti.”” A wild rocky ravine, in 
a cavern by the side of a brook, banditti camped, Salvator Rosa on 
the opposite side sketching them, a ruined tower on the height of 
the cliffs to the centre. In gilt frame, 17% in. x 14% in. 


‘‘In the Wilderness, N. Y.” Painted about 1827. Study, 
painted in brown and white, of a torrent rushing between cliffs. In 


frame, 18% in. x 15% in. 
41 


The Anderson Auction Co. 


412 COLE (THOMAS.) ‘From Nature, near Pittsburgh.” Painted 
about 1824. Study, in water-color, of a gnarled tree trunk. In maple 
frame, 14 inl. x 11% in. 


‘* Study from Nature in the Catskills.” From the C. M. Leupp 


413 
collection. Landscape, autumnal foliage on the trees. In old gilt 
frame, 16 in. x 11¥% in. 

414 Original charcoal and pencil sketches (25); also three draw- 
ings by J. M. Falconer of Cole’s first studio. (28 pieces.) 

415 Copy, by Miss Sarah Cole, 1852, of Thomas Cole’s painting, 
‘* Genevieve.” A landscape with the sea in the background, ruined 
castle to right in the foreground, with two figures below. In gilt 
frame, Ig in. X I5 in. 

416 The Palette used by Thomas Cole, dated 1833. 

417 Thomas Cole’s First Studio at Catskill, 1836-1846. Painted 


from Nature on millboard by J. M. Falconer. Two views from dif- 
ferent sides. (2 pieces.) 


418 COLOR PRINTING. Fine aquatint of a Wreck at Sea. Very 
beautifully printed in colors. Large 4to. 


419 COMEGYS (G. H.) American Painter. ‘*The Man of Nature, 
1836.” Bust, painted on panel. In old frame, 17% in. x 15 in. 


420 CROME (W. H.) ‘‘Lee Church, Blackheath, Kent” (England). 
Pretty English rural scene, with bright spring foliage (the painting 
requires a little touching up). In gilt frame, 19 in. x 14%. 


421 CROPSEY (JASPER F.) Woted American Painter. ‘‘ AvE Maria, 
1852." ITALIAN WOODLAND SCENE, A CROSS BY THE WAYSIDE, HEAVY 
MASSES OF FOLIAGE AROUND, A RUDDY SETTING SUN LURIDLY LIGHTING 
UP THE CROSS, A DISTANT VILLAGE, AND THE MOUNTAIN BACKGROUND. 
In handsome gilt frame, 27 in. x 20% in. 


422 Panel painting of, apparently, an Irish scene. Mountain 
scenery, with a rustic stone bridge spanning a brook, a peasant 
woman in a red jacket and aboy inthe foreground. 16% in. x 11 in. 

423 ‘*MELLOW AUTUMN, 1855.” A FINE EXAMPLE OF SKILLFUL 


TREATMENT OF RUGGED MOUNTAIN SCENERY, WITH DEEP SHADOWS AND 
A SILENT, SOMBRE POOL IN A HOLLOW IN THE FOREGROUND, A GOLDEN 
AUTUMNAL SKY THROWING A FAINT GLOW ON THE MOUNTAIN SIDE. 
In handsome gilt frame, 28 in. x 2034 in. 

42 


The Anderson Auction Co. 


424 CROPSEY (JASPER F). ‘Forest Scene, 1854.” Clever painting 


‘25. ———— 


426 ———— 


427 ——— 


428 ———— 


0 


AS ere 


Oe 


432 ——— 


Sears 


434 


435 


436 


of trees and rocks, with a small rivulet trickling over stones. In 
gilt frame, 1334 in. x 11% in. 


** Solitude, 1845.”” Another autumnal study, of a deserted lake, 
mountains closing the background. In gilt frame, 14 in. x 11% in. 


**Near William’s Bridge.” Autumnal woodland scene, with 
birch trees and a winding brook. In handsome gilt frame, 
Ti in, X 1234 in. 7 


‘*DouNnE CAsTLe, 1848,” FINELY PAINTED LANDSCAPE, THE 
CASTLE IN RUINS ON A HILL TO THE LEFT, A LANDSCAPE BEHIND 
STRETCHING TO A FAR DISTANCE, THE HEAVY CUMULUS CLOUDS, 
PERSPECTIVE, AND EFFECTS OF LIGHT AND SHADE BEAUTIFULLY EXE- 
CUTED. A VERY CHARMING EXAMPLE OF HIS BEST WORK. In hand- 
some gilt frame, 2734 in. x 20% in. 


’ 


‘‘Ttalian Scenery,1850.”’ Landscape. An Italian village in the 
middle distance, hills in the background. In handsome gilt frame, 
24 in, x 18% in. 

‘‘Passing Away.” <A funeral by moonlight, the mourners 
carrying torches. In gilt frame, 13% in. x ro in. 


‘¢ Petrarch’s Home, Vaucluse, Italy, 1855.” Rocky mountain 
scene, with Petrarch’s house on cliffs to the right. In gilt frame, 
Beets) 15 iN, 
‘©The Spirit of Morning.” Design in oil colors for a larger 
painting, 1854. In gilt frame, 12 in. x 10% in. 
‘“TaANETTA FAs, 1846." A sombre wood, trees growing 
thickly, darkening the view, to the left, wild piled-up masses of rock, 
over which the stream falls. Very finely painted. In massive round 
top gilt frame, 25 in. x 32 in. 
Finely painted study of an apple, 1865. On stretcher, 11 in. 
Rey otn, 

Water-color drawing of the Canadian shore of Niagara. In 
brown tints. 4to. Mounted. 


——— A Conflagration. Palette knife painting. 1864. In gilt frame, 


Popiex iT yo in, 


Landscape in water-colors. A view through overarching trees, 
with the spire of a distant church in the background, Signed and 
dated 1851. In frame, 17% in. x 15 in. 

43 


The Anderson Auction Co. 


437 CROPSEY (JASPER F.) ‘‘Torre di Molino, Albano, Italy, 1851.” 


Water-color drawing of the tower, Italian peasants, etc. In gilt 
frame sbalf circle \20. inxs 17 an, 


‘The Epicurean.” Original drawing in pencil and Chinese 
white. Fanciful picture of a man walking away from three ghostly 
figures, one of whom brandishes a knife; a larger figure behind, its 
head surrounded with a nimbus of stars, and a torch in its right 
hand; in the background the dawn is seen beginning to break. In 
maple frame, 9% in. x 10% in. 


438 


A pair of miniature landscapes in oil, painted in 1847. In gilt 

frames, 9% in. xX 8 in. (2 pieces.) i 

Water-color drawing and pencil sketches. 4to. Mounted. 

(8 pieces. ) 

Original photograph of J. F. Cropsey. Half length, seated, 
with his autograph beneath. In frame, 14 in. x 16% in. 

442 CURTIS (MISS JESSIE). ‘‘The House Mother.” Drawing in 
sepia, executed as a contribution to the N. Y. Sanitary Fair, 1864. 
fieirame es 3-in, exces an, 


439 


440 


441 


443 AIX (A.) French Painter. Finely executed water-color draw- 
ing of cottages, a brook, and landscape in background. tr in. 

x 7% in. 
444 DARLEY (F.0O.C.) Pencil drawing, signed. ‘‘ Addressing the 
Longshoremen.”’ In mat. 


445 DUDLEY CASTLE. ‘Ruined Gateway of Dudley Castle.” Water- 
color drawing by J. M. Falconer. 1854. 


446 DUGGAN (PETER PAUL). ‘‘Macbeth, 1850.” Full bust, with 
jewelled crown and scarlet robe. Carefully painted. In gilt frame, 
12% in, x 12% in. 


““An Act of Mercy.” Original -water-color drawing. 4to. 


447 
Mounted. N. Y.: Sketch Union, 1847. 
448 ‘An Act of Mercy.’”’ Very finely executed pencil drawing. 


In maple frame, 15% in. x 12 in. 
449 DURAND (F.) ‘The Toy Booth.” Children’s booth at a fair. 
In gilt frame, 17 in. x 14% in, 
44 


The Anderson Auction Co. 


450 AST HAMPTON, L. I. Kitchen of the house where the 
: author of ‘‘ Home, Sweet Home” was born. Painted on mill- 
| poanoeby |; M; Palconer, 1870. 12 in. x 8 in, 


451 AED (JOHN). Celebrated English Painter. The original pen- 
and-ink drawing for his well-known painting, ‘‘ Shakespeare 
and his Friends.” In frame, 18 in. x 18 in. 


4 452 FALCONER (J. M.) ‘‘Home No Longer.” Carefully executed 
oil painting, 1886, showing the deserted interior of a cottage. In 
handsome gilt frame, 35 in. x 29 in. 


453 ‘* At Pittsburgh, Pa., 1858.” View of an old building used as 
British Headquarters. In gilt frame, 734 in. x 8% in. 
: 454 ‘“‘At the Hague.” Full-length figure of a Zouave in uniform. 
In gilt frame, 16 in. x 18% in. 
455 — A man sitting at a table with open book before him. Finished ~ 
oil painting. In gilt frame, 15 in. x 18 in. 
456 Birthplace of Benjamin West. On stretcher, 23% in. x 15 in. 
457 Study of a girl sitting on the seashore. In gilt frame, 10} in. 
etait), 
458 Study of a woman seated by a table on which are bird cages. 
? In frame (chipped), 16% in. x 12% in. 
a 459 Marine view from a shore, with island in the distance. On 
§ stretcher, 22 in. x 12% in. 
460 ‘©The Pink Afternoon.” An orchard with trees laden with 
: pink blossoms. In white enamelled frame, 11% in. x 13% in. 
461 ‘¢Flowers gathered in Halbush Woods, L. I., April, 1865, for 
‘ the ceremony of President Lincoln’s obsequies.” Painting of a jug 
i with flowers. In handsome gilt frame, 11 in. x 14 in. 
462 ‘Waiting for the Train.” Study of a woman seated by a way- 
; side station. In gilt frame, 1234 in. x 1034 in. 
4 463 Original painting of an Indian sitting among rocks, and look- 


' ing to the coming dawn. On stretcher, iy lee et Seen. 


Fort Hale, Conn. (Fort Rock in the Revolution.) Panel 
painting of its ruins in 1872, by J. M. Falconer. 23 in. x 11% in. 


Framed. 


464 


45 


465 


466 


467 


468 


469 


470 
471 
472 


473 


474 


475 


476 


477 


478 


479 


480 


481 


The Anderson Auction Co. 


FALCONER (J. M.) ‘‘ Where Boneset grows, Washington Valley.” 
Scene in a valley, with many-colored wild flowers. In gilt frame, 
21% in. x 17% in. 


Country view, with a large spreading tree in the foreground. 
On stretcher, 18:in-x 73 in. 


Full-length water-color painting of a man with a carpet bag, 
etc. .In frame, 2336 in.-x-16-1in, 


‘* Waiting.” A study of a woman, in water-colors. In frame, 
17 in, x 1434 in. 

‘November Afternoon.” Marine view, painted in water-col- 
ors. - In frame, 1934 in. x 1534. 


‘* A March Twilight.” Water-color. In frame, 16% in. x 11 in. 


——— ‘‘A Brook Bit.” Water-color, in gilt frame, 1634 in. x 13% in. 


‘“The Orange Seller.” Water-color drawing of an Italian 
peasant woman selling oranges. In gilt frame, 17 in. x 19% in. 


Water-color. Full-length figure of a monk in hood and habit, 
seated, holding a flower in left hand. In gilt frame, 19 in. x 22 in. 


‘‘ English Wayside Cottage between Warwick and Kenil- 
worth.” Very charming characteristic English rural scene, a 
thatched cottage, masses of bright foliage and flowers around. 
Water-color in neat frame, 33 in. x 26 in. 


Water-color painting of a child plucking flowers. In large 
gilt frame, 25 in. x 27 in. (glass cracked). 


‘‘ Washing Day down Southin Georgia.” Clever water-color 
of negro huts and negroes actively employed in open-air washing. 
In frame, 21 in. x 16 in. 


oN Newport.” Water-color painting. In gilt frame, 16% 
in. x 14% in. 

Water-color painting of an old brick house and its surround- 
ings. In gilt frame, 22 in. x 18% in. 


View of a Windmill and Farm Buildings. Water-color by 
J. M. Falconer. In gilt frame, 29 in. x 21% in. 


‘Sunset on the Creek.” Finely-painted water-color. In gilt 
frame, 30 in. x 22% in. 


‘*Sundown, Illinois Prairie, 1855.’’ Water-color. In gilt 
frame (no glass), 29 in. x 21 in. 


46 


) Mites i  £o egies ope 


482 


483 


484 


485 


486 


487 
488 


489 


490 


491 


492 


493 


494 


495 


496 


497 


498 


The Anderson Auction Co. 


FALCONER (J. M.) ‘The Pool in the Wood.” Finely-painted 
water-color. In gilt frame, 30 in. x 22% in. 


‘Deserted Cottage, Pitlochry, Scotland.” Water-color, 1883. 
In neat frame (no glass), 30 in. x 25 in. 


Pretty water-color of a rustic cottage overgrown with a green 
creeper. Painted 1884. In neat frame, 34% in. x 28% in. 


View of an old building, Water-color, 1883. In gilt frame, 
P2eiNex 1934’ in. 


—— View of Castle Rock, Nahant. Water-color painting, 1862. 
With mat, 1gin. x 14 in. 


‘Bird Trapping.” Water-color, mounted, with mat, 1856. 


Clever water-color copy of a drawing by Samuel Prout of 
Scotch Crofters’ Cottages. Folio. 


‘* The Green above the Red.” Study of apples in colored 
crayons. In frame, 15 in. x 11% in. 


‘‘A Scottish Home.” Charcoal drawing. In neat frame, 
Ponies 354 in; 
Lewis Gate and Prescot Gate, Quebec; The Old Ferry House, 


N. Bergen; and other water-color drawings. 4to and_ folio. 
(6 pieces.) 


Various Landscapes, etc., in water-colors, by J. M. Falconer. 
(13 pieces.) 
Snake Hill, Jersey; Views in the Catskills; Old Houses, Nor- 
folk, Va.; and others. Water-color drawings. 4to and folio. 
(16 pieces.) 


Various studies, sketches, views, etc. Paintings on millboard 
by J. M. Falconer. (About 125 pieces, as a lot.) 


Another lot of 125 pieces. (As a lot.) 

FIGURE STUDIES. Carefully painted study of a monk in a 
cell; an Indian seated on a rock in a storm; and other figure studies. 
On stretchers. (5 pieces.) 


FOSTER (BIRKET). Original sketch for illustrating ‘‘ The Ham- 
let,” in pencil and color. In frame, 9% in. x 8% in. 


FRANQUINET. Portrait of Michael Paff, the earliest picture- 
dealer in New York. Clever charcoal drawing. In maple frame, 


piein, x T2 in: 
47 


The Anderson Auction Co. 


499 AY (H. B.) ‘‘ The Connoisseurs, 1857.” Interior view, with 
six figures, 17th Century Costume. In gilt frame, 15 in. x 12 in. 


‘‘Ann Page and Slender, 1861.’’ Carefully executed oil paint- 
ing, with good coloring, representing Ann Page rating Slender out- 
side the [nts Sclll..ko an. 


501 GEORGIA. ‘Moonlit Frosty Morning.” Cottage on the banks of 
a stream. Water-color drawing, by J. M. Falconer. Oblong folio, 
innate. S74. 


502 GIFFORD (SANDFORD R.) Very distinguished modern American 
Painter. ‘‘On THE AnDRoscocciIn River, MAINE, 1861.” BRILL- 
IANT LANDSCAPE, WITH RIVER IN THE FOREGROUND, THE SUN LIGHT- 
ING THE FARTHER SHORE. EXCELLENT SPECIMEN OF THIS NOTED 
PAINTER’S WORK. In handsome gilt frame, 17 in. x 19% in. 


503 GLASGOW (D.) ‘‘On the Ramapo, 1856.” Pretty water-color. In 
gilt frame, 17% in. x 15 in. 


504 GUY (SEYMOUR JOSEPH). Woted New York Genré Painter. 
‘* Solitaire.”’ Finely painted portrait of a girl in white, seated ina 
red cushioned chair, playing the game of solitaire. Carefully finished, 
and making a very charming picture. In handsome gilt frame, 
22% in. x 24% in. 


505 Study of a woman’s head. _ Finely painted. In gilt frame, 
with copper mount. 7 in. x 9 in. 

506 ‘*The Old Castle.”” Landscape, with ruined castle. In gilt 
frame, 14.in. X g in. 

507 ‘*Founp A PENNy.” VERY CHARMING PAINTING OF A CHILD 
IN A BLUE DRESS, STANDING BESIDE A STREET STALL OF ORANGES. 
Finely painted and finished. In gilt frame, 15% in. x 17% in. 

508 ‘* Study of a German woman from 4th Avenue, N. Y., 1863.” 
In gilt, frame, 12 in.) xit3 32.10) 

509 ALL (GEORGE HENRY). Distinguished American Painter. 

‘“The Little Page, 1855.”’ Pretty picture of a boy in page’s 
costume with slashed doublet. Finely painted. In gilt frame, 
TOM x LT) | , 

510 Fruit study, 1861. Nicely painted bunch of grapes. In gilt 


ET ai Cent Palak er Rata 
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The Anderson Auction Co. 


Peete (GEORGE HENRY). ‘La Biondina.” Full bust of a 


fair-haired girl in blue costume. In gilt frame, 10 in. x 11 in. 


Sf@@eeee | it Loby Belch, 1854.” 
** And because thou art virtuous, 
Shall there be no more cakes and ale ?” 
Finely executed painting, Sir Toby in the centre of a room in early 
16th Century costume, standing in attitude of exclamation, open 
window behind, table to left, on which is a tankard, glass of liquor, 
ootoectcn In gilt frame, 28 in, x 32 in. 


513 HARPIGNIES (HENRI). ‘‘Younc Maraupers, 1856.’’ Hv- 
MOROUS PAINTING, OF BOYS SCALING THE WALL OF AN ORCHARD, TWO 
ON THE LOOK-OUT, TWO CLIMBING THE WALL BY THE AID OF ANOTHER, 
ANOTHER NEARLY UP TO THE TOP OF A TREE, AND OTHERS STANDING 
ABOUT. In gilt frame, 18% in. x 14% in. Painted on panel. 

* A GENUINE SIGNED EXAMPLE OF THIS FAMOUS MODERN FRENCH PAINTER, AND 
A VERY DELIGHTFUL AND HUMOROUS SPECIMEN. THE WORKS OF HARPIGNIES 
HAVE BEEN FOR SEVERAL YEARS PAST INCREASING RAPIDLY IN PUBLIC ESTEEM, AS 
IS EVIDENCED BY THE HIGH PRICES GIVEN FOR EVEN SMALL SPECIMENS, $750 AND 
$1,000 HAVING REPEATEDLY BEEN GIVEN. THE PAINTING WAS ORIGINALLY 
BROUGHT FROM PARIS BY THE WELL-KNOWN ARTIST W. PARSONS DANA, FROM 
WHOSE HANDS IT PASSED INTO THOSE OF Mr. FALCONER. 


514 HART (WILLIAM). = Celebrated American Water-Color Painter. 
Sketch of a wooded landscape. Very finely executed in charcoal 
and white. In maple frame, 10% in. x 13 in. 

‘51s ——— ‘‘Broughty Castle, 1857.” Finely painted view of the ruined 
castle, with the broad reach of the Tay to the left, a large fishing 
boat on the shore beneath the ruins, and numerous figures. In 
handsome gilt frame, 27% in. x 20% in. 


516 HELFF (T.) Italian woman in National costume, standing in land- 


scape. Finely painted water-color. In frame, 15% in. x 20% in. 


517 HILL (JOHN W.) Noted New York Painter, made many well-known 
drawings of this city. Study of fruit. Neatly painted in water- 
colors. In frame, 28% in. x 22% in. 


518 HILSON (THOMAS). A pair of clever pencil sketches—land- 
scapes. In neat maple frames, 12% in. x 117% in. (2 pieces. ) 
® The artist was the famous early actor who played at the Park Theatre, N. Y., in 
1809. 


519 HUBBARD (R. W.) American Painter, Member of the National 
Academy, President of the Brooklyn Art Assoctation, etc. New Hamp- 
shire scenery. Charming and carefully painted lake view, the atmos- 


phere and distance finely expressed. On stretcher, 6% in. x 12 in. 
49 


The Anderson Auction Co. 


520 oy [ae eaten (F.) View of a sloop caught in a sudden squall; 


steamer and sailing craft in the distance. Water-color. 4to. 


¥ 


521 ENSETT (J. F.) Distinguished American Painter, Member of 

the National Academy, Exhibitor at the American Art Union, Royal 

Academy (Lond.), etc. Autumnal landscape, 1861. In gilt frame, 
TrO-1n., X01 ini | 


522 ‘* Kearsage Mountain, near Conway, N. H.” Finely painted 
view, wooded scenery in the foreground, through which is seen the 
distant mountain. In gilt frame, 23% in. x 20% in. 

523 ‘“The Outskirts of Fontainebleau Forest, 1848.” In gilt 


frame, 18 in. x 14% in. 


524 J AMB (LADY CAROLINE). Water-color sketch of a maiden 
taking pity on Cupid in a snowstorm. Oblong 8vo, in mat. 
* Lady Caroline Lamb was the intimate friend of Lord Byron, and interested her- 
self in artistic matters. 

525 LAMBDIN (GEORGE C.) American Painter, noted for his children- 
pictures, Exhibitor at the National Academy, etc. ‘‘ Motherly Love, 
1860.” Full-length figure of a child in a pink dress huddled up in 
a chair, and nursing a doll. Pretty and carefully painted picture. 
In gilt frame, 25 in. x 2g in. | 


526 


Well-painted picture of a child nursing a cat, with dolls beside 

her. In gilt frame, 12 in. x 13 in. | ? 

527 LAMY (LOUIS). Noted French Painter. Original water-color 
studies. A man and a woman in Stuart costume; and others. ato. 
(5 pieces. ) 


* SCARCE, 


528 LANDSCAPES. Studies of landscapes, by J. M. Falconer; and 
others. Oil paintings on stretchers (one framed). (5 pieces.) 


Another lot, rather smaller in size. (7 pieces.) 


530 LANG (LOUIS). Zxhibdited at the National Academy, and member of 
several societies. Interior of room, twilight. In gilt frame, 15 in. 
X 13 in. 


531 LEUTZE (EMMANUEL). WNoted Historical Painter, Member of 
the National Academy, many of whose paintings are in famous collections, 


the Capitol, etc. Portrait of John Groesbeck. In gilt frame, 22 in. 
RL iTy 
50 


532 


533 


534 
535 
oy 
537 
538 
539 
540 


541 


542 


543 


The Anderson Auction Co. 


LINTON (JAMES D.) Distinguished English Water-color Painter. 
Bust of a woman, with medieval head-dress, and dress trimmed 
with pearls. Finely painted. In guilt frame, 1634 x 19% in. 


LONG ISLAND. The Old Fordham House, Sag Harbor; The Old 
Payne Homestead, East Hampton; Washington’s Headquarters, 
Gowanus; The Old Mill, New Lots; Pudding Hill. Paintings by 
J. M. Falconer on millboard. Folio and 4to. (5 pieces. ) 


‘‘ Kitchen of Cowenhoven House, New Utrecht, built 1696.” 
Skillfully drawn oil painting by J. M. Falconer, 1877. 15 in. x 
10% in. 

East Hampton, L. I. A pair of charcoal drawings of a field 
with poultry and hayricks, by J. M. Falconer. In frame, 18% x 
15% in. (2 pieces.) 


East Hampton, L. I. Kitchen of the house in which the 
author of *‘ Home, Sweet Home,” was born, as in 1868, Carefully 
painted water-color, by J. M. Falconer, 20% x 16% in. 


Various Long Island views, painted on yl boary by J. M. 
Falconer. Varioussizes. (20 Bice) 


CCORD (G. HERBERT). Distinguished American Painter. 
View of an old turreted building in an English country town. 
Finely painted. Unmounted, 9% x6¥ in. 


MATTESON (T.H.) Celebrated American Painter. The original 
sketch in oils for his famous painting ‘‘ The Spirit of ’76.” In gilt 
frame, 8 in. x 7 in. 


PLANTING THE First Liperty Poe.” LARGE PENCIL 
DRAWING, VERY FINELY EXECUTED, WITH NUMEROUS FIGURES. In 
maple frame, 22% in. x 24 in. 

‘* Crying Forfeits.”. Genré painting by this famous artist. 
Peeeisreraime, 15 in. x 12 1n, 


MICHEL (ERNEST B.) Celebrated French Painter, pupil of Caba- 


nel, exhibited at the Salon, etc. ‘‘ Roman Contadino.” Full-length 
figure of a Roman peasant in national costume, seated, playing ona 
mandoline, to the right a table on which is a jug, a glass with liquor 
in it, and some onions. Carefully-executed painting by this noted 
artist, 1859. In gilt frame, 20% in. x 24 in. 


‘¢Ttalian Women at Mass.” (Requires touching up.) In gilt 


frame, §9 in. X 17 in. ie 


The Anderson Auction Co. 


544 MISCELLANEOUS. A large collection of original pencil and 
pen-and-ink sketches, water-colors, etc. About 200 pieces. (As a 


lot.) 
«44 MISCELLANEOUS PAINTINGS. A Balaklavan Incident, by 


Edward White; Landscape in water-colors, unsigned. In gilt 
frames, (2 pieces.) 


546 Clever water-color of a street character, by A. H. Taylor; 
Pencil Sketch of a woman reading, by E. J. Whitney. Large pic- 
tures, in frames. (2 pieces.) 

547 Portrait of a man; Revolutionary battle scene; Clever study 
of a woman in a white dress. On stretchers. (3 pieces.) 

548 The Philosopher, water-color by H. W. Herrick, 1865; Land- 
scape in water-colors, unsigned; Original pencil sketch of a boy’s 
head, by S. J. Guy. Framed. (3 pieces.) 

549 Finely painted water-color of an Arab in burnous, etc., un- 
signed; Forest scene, in oil, unfinished; Clever charcoal sketch of 
a foggy night in winter. Framed. (3 pieces.) 

550 Portrait of Edwin White, by himself, in pencil; two water- 
colors, a marine view and a French mill; clever pencil sketch of two 
negroes. Framed. (4 pieces.) 

SET Water-color view by J. J. Glasgow; Study of a man’s head, in 
oil, by F. A. Chapman; ‘‘ Jerry,” an old man smoking, oil, un- 
signed; Landscape, night effect, in charcoal, unsigned. Framed. 
(4 pieces.) 

552 Palais Royal, Paris, water-color by J. M. Falconer; Oil paint- 
ing of a woman on a bed, reading; and others. Framed. (5 pieces. ) 

553 Friar Tuck, after Liverseege, by J. M. Falconer; Near Gene- 
see, 1863, water-color; and other small paintings, in frames. (6 
pieces. ) 

554 Various water-colors, oil paintings, sketches, etc., by J. M. 


Falconer and others. (3 damaged.) In frames. (9 pieces.) 


555 MISSOURI. ‘Home in Missouri.” Water-color drawing of small 
farm house on the border of a stream, by J. M. Falconer. Oblong 
folio. 1856. | | 


556 MOORE (THOMAS). eet. House on Schuylkill River, near 
Philadelphia, where Thomas Moore resided, as it was in 1864. 


Water-color drawing by J. M. Falconer. Oblong 4to, mounted. 
D2 


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The Anderson Auction Co. 


557 MORAN (EDWARD). WNoted Painter, exhibited at many exhibitions 
and galleries. Leatham Common, England (near Liverpool). Sepia 
drawing. Oblong folio. Finely executed. 1864. 


558 Marine View. Water-color drawing. Oblong 8vo. 1869. 


559 MORAN (THOMAS). WNoted American Painter. ‘* Autumn Morn- 
ing at Absecom, N. J., 1859.” In gilt frame, 16% in. x r4 in. 


560 MORSE (PROF. SAMUEL F.B.) Distinguished Electrician and 
Painter. Bust portrait of Joseph Gales, editor and proprietor of 
Seemem National Intelligencer.’’ Painted in 1821, In gilt frame, 
Poin, x 10% in. 

561 MOUNT (WILLIAM S.) Woted early American Painter. ‘‘ Peach 
Blossoms.”’ A delicately-painted study. With presentation incrip- 


tion on back. In gilt frame, 10% in. x 11% in. 
* Exhibited at the National Academy in 1869. 


562 ‘‘ Mischievous Drops, 1857.’ A girl about to drop some cher- 
ries into the mouth of a sleeping boy. Carefully painted. In gilt 


frame. 10 1. x 1954 in. 


563 MULLER (KARL). Sculptor. Study in oils of the head of a cock. 


& Meeiteirame, 12 in, x 1154 in. 


564 ie yu Sunset on the Platte River. Water-color draw- 


ing by J. M. Falconer. Oblong folio, in mat. 1876. 


565 NEW HAMPSHIRE. ‘Top of Mt. Washington, 1855.” Water- 
color by J. M. Falconer. In gilt frame, 32 in. x 24% in. 

566 ‘Lake Sebago, 1860,” Painting, on tile, by J. M. Falconer. 
In frame, 9% in. x 9% in. 

567 NEW JERSEY. Various views of places, studies from Nature, 
etc. Painted on millboard by J. M. Falconer. (About 40 pieces, 


as a lot.) 
568 ‘Deserted House, Madison, N. J., in 1886, originally built 
* by the Butler family of South Carolina, in the 17th Century: © 
Clever oil painting. In gilt frame, 29 in. x 24 in. 
569 ———— ‘‘December Noon, Snake Hill, N. J., 1851.” Water-color 
painting by J. M. Falconer. In frame, 29 it, xia 10, 
570 Hackensack Marshes at half-past seven p.m. Water-color 


drawing by J. M. Falconer. Oblong folio, in mat. 1851. 
53 


The Anderson Auction Co. 


571 NEW JERSEY... Hackensack Marshes at 8.15 p.m. Water-color 
by J. M. Falconer. 4to, in mat. 


572 Old House, built 1710, occupied during the Revolution by the 
Pastor of George Washington. Painted by J. M. Falconer. In 
gilt'frameé, 20.1p, x:16.18, 

573 Hoboken Meadows. Water-color drawing by J. M. Falconer. 


Oblong folio. 1852. 


574 NEW YORK CITY. East River, near 23d Street. Water-color 
drawing by J. M. Falconer. Folio, in mat. 1876. 


575 View, in 1851, of the house in which the second part of Sal- 
magundi was published. Water-color by J. M. Falconer. In gilt 
frame, 21% in. x 18% in. 

576 ‘*Corner of Grand and Mott Sts., 1883.” Charcoal drawing 
by J. M. Falconer. With mat, 18 in. x 1434 in. 

577 Night from.a City Window. Water-color. Folio in mat. 

578 City Twilight. View looking over housetops towards the 
North River, with the setting sun. Water-color painting by J. M. 
Falconer, 1861. In frame, 32 in. x 25 in. 

579 Chatham St., April, 1855. Water-color drawing by J. M. 
Falconer, showing a snowstorm. Folio, 

580 ‘* Foggy Morning off the Battery.” Water-color drawing, un- 
signed. Folio, in mat. 

581 View of Water Street, corner Peck Slip. Water-color draw- 


ing by J. M. Falconer. Folio, in mat. 1888. 


582 NEW YORK STATE. Studies from Nature, and views of places. 
Painting, by J. M. Falconer, on millboard. (About 30 pieces, as 


a lot.) 

583 The Old Mill, Sleepy Hollow, N. Y. Finely-executed water- 
color by |< W.-Hills eto, 

584 ‘Coney Island, 1876.” Painted on tile. In frame, 9% in. x 934 in. 

585 NEwsurGH. Old Gun at Washington’s Headquarters, New- 
burgh, N. Y. Painted by J. M. Falconer, 1860. In gilt frame, 
LOd0e xeine 

586 At Coney Island, 1866. Water-color sketch. In frame, 14 in, x 


15% in. 
54 


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The Anderson Auction Co. 


587 NEW YORK STATE. Circular water-color landscape, looking 


over the Hudson, with the Palisades in the background. In gilt 
frame, 21 in. diameter, 


588 Fort RENSSELAER, CANoyoHarRiE, N. Y.  Finely-painted 
view by J. M. Falconer. On card (slightly cracked near the mar- 
gin). 15% in. x11 in. 

589 ‘Sunrise at Clifton Park.” Water-color drawing by J. M. 


Falconer. Oblong folio, in mat. 


590 ARSONS (CHARLES). Distinguished American Painter, ex- 
hibited at the Soctety of Painters in Water-Colors, at the National 
Academy, etc. Marine view, with a round fort on shore to left, ship- 
ping in the water. Very cleverly painted, 1857. In gilt frame, 
1534 in. X11 in. 


591 ‘* The Beach, near Swampscott, 1885.’’ Charming scene of a 
wreck on shore, the beach bounded by low hills covered with 
autumnal foliage. In frame, 17 in. xX 12% in. 

592 Fine water-color of a coast scene, stormy weather. Painted 


1355. In gilt frame, 22 in. x 14% in. 


593 PEEL (JAMES). ‘‘Nrear Houcuton, ENGLAND, 1848.” Woop- 
LAND SCENE, TO THE LEFT A TRACK, ALONG WHICH SOME COWS AND 
SHEEP ARE ADVANCING, A COUNTRY BOY OPENING A SWING GATE; TO 
THE RIGHT A PLACID STREAM, OVER WHICH A LARGE TREE HANGS. 
VERY FINELY PAINTED. In gilt frame, 32 in. x 23% in. 


594 PEELE(JOHNT.) Woted American Painter, ‘‘A Mother and Child.” 
Welsh study. Finely-painted and characteristic study of the subject 
for which he was distinguished. Unmounted, 24 in. x 18 in. 


‘*SprinGc FLOWERS, 1860.” A CHILD IN A WHITE DRESS, WITH 
PINK CLOAK, HOLDING IN HER LAP WILD FLOWERS SHE HAS BEEN 
GATHERING, SYLVAN LANDSCAPE IN THE BACKGROUND. VERY FINELY 
PAINTED. In handsome gilt frame, 39% in. x 34% in. 

* A charming example. 


595 


‘¢ The Mountain Maid.’”’ Charming painting of a child drink- 
ing from a rustic fountain. Well executed. In gilt frame, 33 in. x 


39 in. 


596 


597 ‘‘Children in the Wood, 1850.” In gilt frame, 22% in. x 19% in. 


598 Fine charcoal sketch of a girl seated. With presentation in- 
scription, 1869. In maple frame, 20% in. x 16% in. 


dd 


599 


600 


601 


602 


603 


604 


605 


606 


607 


608 


609 


The Anderson Auction Co. 


PHILADELPHIA. Water-color drawing of the house where Robert 
Fulton served his apprenticeship, No. 121 South Second St. Folio, 


in mat. 1862. 
* Painted by J. M. Falconer. 


Another of the same. * In frame, 15 in x aan 


Robert Fulton’s House, Philadelphia, Jan., 1883. Water-color 
by J. M. Falconer. In frame, 15 in. x 22 in, 


Old Horse Market, corner N. 15th and Brandywine Sts. 
Painted by C. F. Blauvelt, N.A. In gilt frame; ann xero 


Fine water-color—‘‘Independence Hall”—of the building 
where Jefferson wrote the Declaration of Independence. Painted 
by J. M. Falconer, 1854. (The building was destroyed by fire Nov., 
1854.) In gilt frame, 21 in. x 28 in, 


PITT (WILLIAM). Lnglish Painter. ‘‘Old Cottages, Tintern, 
England, from a sketch made on the spot in 1849.” Finely painted. 
The. old rustic cottages in the foreground, mountains in the back- 
ground, with a country wagon and figures. In gilt frame, 31 in. x 
24 in. 


PITTSBURG. ‘Part of the Barracks built by the British Forces 
under Colonel Boquet at Fort Pitt (1764) as it was in Jan., 1854.” 
Water-color by J. M. Falconer. In gilt frame, 21 in. x 29 in. 


Another painting of the same in oil colors, by J. M. Falconer. 
In gilt frame, 15 in. x 18 in. 


POINGDEXTRE (C. H.) Finely-painted study of a Fox’s head. 
Painted at Rome, 1860. On stretcher, 9 in. x 9% in. 


PORTRAITS AND STUDIES. Washington, after Gilbert 
Stuart; Rev. Francis Asbury; and other portraits and studies. 
Paintings on millboard and card, unsigned. Large folio and 4to. 
(8 pieces. ) 


PROUT (SAMUEL). Enc.isH Coast Scene. DRAWING IN SEPIA 
OF A LOW SANDY BAY, WITH A FISHING BOAT COMING ASHORE, MOUNT- 
AINS IN THE DISTANCE. VERY FINELY EXECUTED. In old frame, 
174% in. x 15% in. | 

* By one of the greatest of the English School of water-color painters. Highly 
praised by Ruskin for his work. 


56 


The Anderson Auction Co. 


610 PROUT (SAMUEL). Scorcu Crorters’ Corraces. VERY FINELY- 
EXECUTED WATER-COLOR, PAINTED 1824. HATCHED COTTAGES, AT 
THE DOOR OF ONE OF WHICH IS SEATED A PEASANT, EXCELLENT 
SPECIMEN OF THIS FAMOUS PAINTER, In gilt frame, 31 in. x 22 in. 


611 PURCELL (E., JUNR.) ‘‘ Richelieu Meditating, 1846.” In gilt 


iano wt4 in. x16 in, 


612 Qin Prescot Gate, Quebec. Carefully-executed painting 


by J. M. Falconer, 1850. In gilt frame, 18 in. x 22 in. 


613 ANNEY (WM). ‘‘A Bad Egg.” Original oil painting. In 
Paibttame. 15 in. X17 in. 
614 ROSSITER (THOMAS P.) American Painter, Member of the 
National Academy, etc. Pretty painting of a young lady sitting ata 
piano, carefully executed. In gilt frame, 17% in. x 16 in. 


615 RYDER (P.P.) Distinguished American Painter. ‘‘Emma Franklin.’’ 
Portrait of a Child. Very finely executed. In handsome gilt frame, 
Pepi ke Ps O° in. 


616 ‘“Sweet Sixteen.” Charming painting of a Girl, finely fin- 
ished. In gilt frame, 14% in. x 15% in. 
617 Study in oils of a woman’s bust, with white cloak and white 


hood. Carefully executed. In gilt frame, 12% x 13 in. 


618 S AUNIER (OCTAVE). Landscape, view of a canal at a lock, 
with a village beyond, autumnal foliage on the trees. Very 
finely executed. In frame, 17% x 15 in. 


619 SMALLWOOD (W. F.) Water-color drawing. Scene in Nor- 


mandy. Mounted on folio sheet. 1832. 

620 STEINLE (EDUARD). wWoted German Painter, ‘*The Lion 
Hunters,” Arabs in native costume, hunting, five figures. Finely 
painted. On stretcher, 11/4 X 9 in. 


621 HORN (C.) Znglish Painter. Two water-colors of Children- 
i scenes. One framed. (2 pieces.) 


622 THWAITES (W.H.) Pupil of David Cox. ‘‘ Welsh Scenery.” 


Water-color drawing. is 


623 


624 


625 


626 


627 
628 
629 
630 
631 
632 
633 


634 


635 


636 


637 


6338 


The Anderson Auction Co. 


Italian, in water-colors. In frame, 9 in. x 6% in, 


Aer: (WILHELM). Woted German Painter, Marine view, 


UNSIGNED PAINTINGS. Finely-painted portrait of an old 
woman, with black handkerchief on head, In gilt frame, 13 in. x 
I5 in. 

Carefully-executed oil painting. Landscape, with a lake and 

mountains, and hunter’s camp, sunset sky. On stretcher, 18 in. x 


IO in. 


‘©The Cornfield.”’ Finely-executed water-color. A cornfield, 
with harvesters at work, surrounded by oak trees, between which is 
seen the top of a Jacobean castle. In neat frame, 33 in. x 23. 


Landscape. Clever water-color. In gilt frame, 18 in. x 
Peat: 

Full-length study of a man carrying a burden. In old bronze 
and plush frame, 19% in. x 24% in. 

‘Clearing Up after a Thunderstorm.”  Nicely-painted 
water-color. In gilt frame, 21 in. x 15% in. 


Panel painting of a cottage interior, a man seated, chastising 
a dog, and two children. 8% in. x 10 in. In handsome gilt frame. 


Portrait of aman. On stretcher. 19% in. x 22%. 


Tropical landscape after a storm, lurid sky. In gilt frame, 
2% in. x 16 in. 


AN BEEST (A.) Marine view, entrance to a harbor, finely 
painted in water-colors In gilt frame, 27 in. x 21 in. 

VIBERT (J. G.) Celebrated French Painter. WWATER-COLOR pAINT- 

ING OF A MAN IN FANCY COSTUME, CARRYING A STANDARD, THICK 


WOODS BEHIND. 54% x 8. 
* Signed water-colors of this modern French master of coloring are seldom met 
with, and even small drawings have sold for very high prices. 


VICKERS (H.) ‘‘Near Henley-on-Thames.” Finely painted 


landscape; Inigilt=itame, 21 ins x°1qiin. 


VIEWS. Original paintings by J. M. Falconer on millboard. 
(30 pieces, as a lot.) | 


Coney Island, 1883. Water-color by J. M. Falconer. In 
neat frame, 22% in. x 17% in. 


VIRGINIA. ‘‘Bi-centennial houses at Norfolk, Va.”  Finely- 
painted water-color by J. M. Falconer. In frame, 32% in. x 


25% in. 
58 


639 


640 
641 


642 


643 


644 


645 


“646 


647 
648 


649 
650 
651 


652 


653 


654 


The Anderson Auction Co. 


ALDO (SAMUEL L.) Zarly American Portrait Painter. 
‘Old Pat, the Independent Beggar.” Panel painting, in 
old gilt frame. 21 in. x 26% in. 


* A. B. Durand engraved this portrait, the first he executed from a painting. The 
Boston Athenzeum has a copy of this painting, which they assert is the original. The 
late J. M. Falconer was an intimate friend of Durand, and they mutually presented 
and exchanged paintings and engravings. It is therefore within a reasonable proba- 
bility that this is the original painting, and that in the Boston Atheneum merely a 
replica, It bears every appearance of age and genuineness. 


WARREN (A. W.) American Painter. Street scene, 6th Avenue, 
gth and r2th Wards, 1862. In gilt frame, 8 in. x 9 in. | 

‘* Noontime on the Beach, Canarsie, 1869.”"° Framed, 12% in. 

x 8% in. 

‘*The Old Jigger at Mount Desert Island, 1856.”’ Finely- 


executed painting of a two-masted ship on shore, stormy sea in the 
background. In gilt frame, 18% in. x 21% in. 

so lhe» Belle of the Bay, 1862.’ Yachting scene. In gilt 
moenie, 12 in, X 10 In. 


WATER-COLORS. Scotch view, burn at sunset. Very finely 


Sercuteds 5-10. x 7 In. Unsigned. 


Carefully-executed painting, unsigned, of an Italian scene, 
with rustic bridge and foliage-covered rocks behind, the sea in the 
@istance. 1774 in. x.11% in. 


Drawings by B. F. Childs, Wm. Hart, and others. (8 pieces.) 
Drawings by Wm. Hart, Edwin White, and others. (10 pieces. ) 
Drawings by A. W. Warren, S. J. Guy, and others. (10 pcs.) 
Drawings by J. W. Hill, Minard Lewis, and others. (10 pcs.) 


Water-color paintings by various artists. Mostly folio and 
4to. About 4o pieces. (As a lot.) 


Water-color paintings by various artists. 4to and smaller. 
About 100 pieces. (As a lot.) 

veiCcKER (A.). ‘“The. Kitchen. Maid; 1854." “In ‘gilt trame, 
Varin. X 15 /in. 

WERNER (OTTO). ‘‘In the Fields, 1858.” Children in a 
field gathering turnips, with geese beside them. Carefully painted. 
In gilt frame, 15% in. x 13 in. 


‘© A Lecture on the Globe.’”’ Humorous painting of children 
in an attic, with a globe of the world, which one of them is explain- 
ing. In gilt frame, 15 in. x 12 in, 

59 


656 


657 


658 
659 
660 
661 
662 


663 


664 


665 


666 


667 
668 


669 


The Anderson Auction Co. 


WHITE (EDWIN). Distinguished American Painter, noted for his 
historical paintings. Interior with two figures—a man and a woman 
in Puritan costumes. Carefully executed with fine coloring. In 
handsome gilt frame, 10 x 11 in. 

‘“The Quiet Scene.” Small oil painting, mounted. $8vo. 

New York: Sketch Union, 1846. 

‘‘Interior of a Prison,” with the figure of a prisoner sitting 

with his head bowed on his hands, a full-length female figure 

standing beside him pointing upward. Painted in 1846. Finely 
executed. In gilt frame, 14% in. x 18% in. 

Study of a Monk with a large book, in chamber with purple 

hangings. In gilt frame, rq in. x 16% in. 


‘An Act of Mercy.” Sepia drawing. 4to, mounted. New 
York: Sketch Union, 1847. 
‘‘When I was Young” (Coleridge). _Water-color study for 
the painting at West Point. Small 4to, mounted. : 
‘‘ Study of a Womanina Red Cloak”; Historic Scene; Chesa- 
peake Bay Boat (water-color). 2 in frames. (3 pieces.) | 
WHITTRIDGE (T. W.) ‘‘Kanawha Scenery, 1846.” In gilt 
frame wi. ins x*1e:10, ? 


WHITTREDGE (WORTHINGTON). American Painter, Presi- 


dent of the Academy of Design, 1874, etc. ‘‘ The Escape of Arnold.” : 


Landscape, looking across the Hudson, with masses of brightly-col- 
ored foliage, ship in the river, Arnold in the foreground galloping 
down the path. Painted in 1862. 17 in, x 12% in. 


‘© Westphalian Cottage, Interior.” In gilt frame, 12% 
in. x 14% in. 


Interior of a Westphalian Cottage.” Large view, showing 
the whole extent of the ground floor, with the fire, a woman, goats, 
etc. Finely painted. In gilt frame, 24% in. x 21% in. 

WINDSOR CASTLE. Garter Tower. Water-color painting by 
J.-M. Falconer. Folio, mounted. 1852. 

WOTHERSPOON. ‘‘John Knox’s House, Canongate, Edin- 
burgh.” Fine painting by Wotherspoon., In gilt frame, 30 in. x 26 in. 


EWELL (G.H.) American Painter, pupil of Couture. A boy 
sitting in a chair, with hat in hand. Painted 1865. In gilt 
frame, 10% in. x 11% in. 


FRAMES. Five gilt frames, one oval. (As a lot.) 


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Aca ees ane - Anderson ‘Auction 


tase es a - lege facilities: ie the shandlin 
ne ‘of Books, Manuscripts, Paintin: 


‘oe Be ve “and Engravings, ‘Autographs, Coins, 
eater fe: _ Sales of Private Collet =, Ss 


RN ae tae “My wish is that my Iedvrngs my Pri 
an 3 - my Books—in a word these things of art 
the joy of my life—shall not be consigned 
a A a of a museum, and subjected to the stupid” 
eC : careless passer-by; but I require: ‘that | | 

aes 4 __ dispersed under the hammer of the Aucl 
< ae Ges Sales: which the ae of each 0 on 


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“my. own tastes.” SHS hs sk . hs sea 


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